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The Land of Decoration




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About The Author

Grace McCleenGrace McCleen

Grace McCleen studied English Literature at Oxford University and The University of York before becoming a full-time writer and musician. She lives in London. The Land of Decoration is her first novel.

photo: Tom York

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EXCERPT

The Empty Room
 

IN THE BEGINNING there was an empty room, a little bit of space, a little bit of light, a little bit of time.
I said: “I am going to make fields,” and I made them from place mats, carpet, brown corduroy, and felt. Then I made rivers from crêpe paper, plastic wrap, and shiny tinfoil, and mountains from papier mâché and bark. And I looked at the fields and I looked at the rivers and I looked at the mountains and I saw they were good.
I said: “Now for some light,” and I made a sun from a wire metal cage strung with beads that hung down from above, I made a sliver of moon and luminous stars, and at the edge of the world I made a sea from a mirror, reflecting the sky and the boats and the birds and the land (where it touched). And I looked at the sun and I looked at the moon and I looked at the sea and I saw they were good.
I said: “What about homes?” And I made one from a ball of dry grass and one from a hollow tree stump and one from a barrel that toffees came in and I gave it a fishing line and sail and made space for a blanket and toothbrush and cup, and a stove, and put a gull high on the mast (which was really a broom handle) and launched it out on the sea (which was really a mirror).
I made houses from chocolate-dip-cookie cartons: the plastic scoop where the chocolate was, that was the bedroom, and the round room below, where the cookies had been, that was the living room. I made houses from a matchbox and a bird’s nest and a pea pod and a shell. And I looked at the houses and saw they were good.
I said: “Now we need animals,” and I made paper birds and wool rabbits and felt cats and dogs. I made furry bears, striped leopards, and fire-breathing, scale-crusted dragons. I made glittering fish and cockleshell crabs and birds on very thin wires.
Last I said: “We need people,” and I modeled faces and hands, lips, teeth, and tongues. I dressed them and wigged them and breathed into their lungs.
And I looked at the people and I looked at the animals and I looked at the land. And I saw they were good.

 
Copyright © 2012 by Grace McCleen

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