ATHENA: THE GREY-EYED GODDESS
Boom! Pow! Crash! This is not your grandmother's pantheon.
The strong, larger-than-life heroes of the Olympians series can summon lightning, control the sea, turn invisible, or transform themselves into any animal they choose. Are they superheroes? No! They're Greek Gods. The ancient pantheon comes to explosive life in this new series where myth meets comic books. Epic battles, daring quests, and terrible monsters await readers within the pages of these books.
Athena: Grey-Eyed Goddess is the tale of the goddess of wisdom and war, recounting her many adventures.
George O’Connor’s first graphic novel, Journey Into Mohawk Country, used as its sole text the actual historical journal of the seventeenth-century Dutch trader Harmen Meyndertsz van den Bogaert, and told the true story of how New York almost wasn’t. He followed that up with Ball Peen Hammer, the first graphic novel written by playwright Adam Rapp, a dark dystopian view of a society’s collapse as intimately viewed by four lost souls. Now he has brought his attention to Olympians, an ongoing series retelling the classic Greek myths in comics form. In addition to his graphic novel career, Mr. O’Connor has published several children’s picture books, including the New York Times best-selling Kapow, Sally and the Some-Thing, and Uncle Bigfoot.
He lives in Brooklyn, NY.
Following the series opener that chronicled Zeus’s origin story, O’Connor’s next relates the details of his daughter Athena’s birth and some of the stories about her. The three Fates narrate in stately language, briefly recapping the rise of the Olympians before turning to Zeus’s relationship with Metis, which ends when he eats her to avoid his prophesied overthrow by their child. Following Athena’s miraculous emergence from his head, fully grown, she struggles to find her place in the world and among the gods. The Fates go on to recount how she adopted the first name Pallas and acquired the components of her Aegis, which includes the story of Perseus and Andromeda, and Athena’s confrontation with Arachne. While less unified in narrative structure than the previous book, this nevertheless shares its strengths—a balance between heightened narration and colloquial dialogue, superb graphic storytelling with extended wordless action sequences, energetic backmatter and a palpable fondness for the subject matter. Up next? Hera. -- Kirkus Reviews
Following the first book in the Olympians series, Zeus: King of the Gods, this volume begins with a quick summary of the previous tale, before moving on to the story of the goddess of wisdom. O’Connor does a nice job of using the three Fates to do the serious storytelling of the myth, while incorporating casual, fun dialogue between characters and making the portrayal of the difficult friendship between Athena and her best friend, Pallas, daughter of Triton, relatable to modern readers. In the emotional scenes in which the two fight in a tournament and Athena accidentally stabs her friend, the two girls’ faces are expressive and clear, showing all the love, fear, and guilt they feel. The necessarily episodic story moves lightly from one narrative to another, with endnotes that give concise and clear explanations of the myths and their characters. O’Connor also gives some information about the lives of women in ancient Greece, noting, “I’m glad I live in a time when girls can be more like Athena,” thus bringing the story into the here-and-now for its readers. -- Publisher's Weekly
Five myths featuring the Greek goddess are included in this volume. Dialogue is modern (“What’s gotten into you, Zeus?” “I wanna bite him!”), while narration, provided by the Fates, retains a more formal tone. A good balance is struck between exposition and action: readers familiar with these stories will enjoy seeing them brought to life with such vigor, while sufficient background is provided so that children reading about the Greek gods for the first time will not find themselves lost at sea. The family tree of the immortals is a useful tool even for the most experienced readers. O’Connor’s drawings, full of energetic diagonals and expressive faces, are nicely balanced by spare settings and minimalistic backgrounds. A sophisticated color palette, full of midtones and subtle contrasts, and panel layouts that vary from page to page further distinguish the art. The author’s affection for his subject is evident in a chatty note. Profiles of major characters, notes, and discussion questions appear in addition to the usual back matter. An exceptional graphic novel. -- School Library Journal
each image links to a Hi-Res print size sample page (a jpeg compressed in zip format) for download
For more Olympians, visit www.olympiansrule.com.