At Large and At Small

"Detailed and elegant, [her essays] reveal a reflective writer with rarefied interests . . . [an] engaging mixture of intellectual exploration, textured storytelling and accessible prose."—Time Out New York

"This essay collection by the former editor of The American Scholar attempts to bring back the 'familiar essay,' a less formal rumination on a given topic. From homemade ice cream to the charms of being a night owl, the subjects of these essays may seem as if they're chosen without any discrimination (hence the title), but they're all equally celebrated with Fadiman's wit and insight."—Venus Zine

"Anne Fadiman wins our attention by directing hers with unwavering focus at the world around her. Her perceptions are astute and her sensibility is so rich and sane no calculation could violate it. The personal essay was invented so that writers like Fadiman could practice it."—Sven Birkerts

"Limpid, learned, perspicacious—and relentless.  Whatever the subject, Anne Fadiman overlooks nothing, imparts everything, and leaves you wanting more."—Thomas Mallon

"These are wonderful essays. The writing is effortless, elegant, and clear, the subjects delightful or weighty or both. Anne Fadiman had me completely charmed by page four."—Ian Frazier

"Fadiman, a National Book Critics Circle Award winner for The Spirit Catches You and You Fall, makes a bold claim: ‘I believe the survival of the familiar essay is worth fighting for.’ The ‘familiar essays’ that Fadiman champions and writes are in the mold of the early 19th century, rather than critical or personal works as we've come to know them. Her essays combine a personal perspective with a far-reaching curiosity about the world, resulting in pieces that are neither so objective the reader can't see the writer behind them nor too self-absorbed. And spending some time with Fadiman is a pure delight. She loves the natural world and taxonomies of all kinds, as well as ice cream and coffee. Her love of the romantic age goes beyond the stylistic, and she prefers Coleridge and Lamb over Wordsworth and Southey. The collection rolls good-naturedly through its subjects until the final piece—an account of a whitewater rafting trip that went tragically awry, a harrowing reminder of the stakes on which all endeavors rest. This collection is a perfectly faceted little gem. Essayists, of both the critical and personal sort, could do worse than to follow Fadiman into the realm of the familiar."—Publishers Weekly (starred review)

"Fadiman begins her second essay collection by quoting her father, the waggish intellectual of page, radio, and television Clifton Fadiman, lamenting the impending demise of the ‘familiar essay.’ Decades later, Anne is happy to report that the essay has survived, even if the familiar essay is now less, well, familiar than the critical or personal essay. A familiar essay is a confiding, inquiring, and witty reflection on a passionately considered subject. This intimate form was perfected by Charles Lamb, a writer Anne adores. With Lamb and her father serving as muses, Fadiman writes funny and keen essays that seemingly without effort mesh the personal with the literary and historical to surprising and edifying ends. Fadiman finds lessons for living in the contemplation of ice cream and coffee, the adventures of an Arctic explorer, and the collecting of butterflies. A master of the tangential, a close observer, and a lover of language, Fadiman is blithely brilliant in her pursuit of beauty and meaning as she wrestles with questions of life, death, and rebirth."—Booklist



Table of Contents

Preface

Collecting Nature
The Unfuzzy Lamb
Ice Cream
Night Owl
Procrustes and the Culture War
Coleridge the Runaway
Mail
Moving
A Piece of Cotton
The Arctic Hedonist
Coffee
Under Water

Sources
Acknowledgements