“The country's agonies are far from over, but, in Bryan Mealer's new book All Things Must Fight to Live, they now at least have their definitive account . . . It is Mealer's gift that even when he is covering what is, journalistically, well-worn territory—the fog of war, the addictive and atrophied life of a combat reporter—his writing is not only fresh but empathetic . . . With the maturity and talent he displays in this book, Mealer could have a dazzling future as a chronicler of distant lands. He has already set a new standard by which all correspondents might approach other forgotten wars.”—Time

"'Why keep on?' asks Claudine Kayitesi, a Tutsi survivor living in relative peace in Nyamata, Rwanda. Her question is not a philosophical one, though that would be understandable given what she has experienced—rape, displacement, the murder of a sister and many others. Rather, her query is directed at the persistent questions of the French journalist Jean Hatzfeld, who has returned to the war-torn landscape he wrote about in two previous books, The Machete Season and Life Laid Bare, to speak again to survivors and perpetrators of the 1994 genocide. Why Hatzfeld keeps on asking questions is among the many thought-provoking issues at the heart of his new book, The Antelope's Strategy. Seven years after his reporting for Machete Season, Hatzfeld finds a much-changed Rwanda: The terrors of war have been replaced by an awkward—and sometimes dangerous—atmosphere of forced reconciliation. Some Hutu prisoners have been released or have returned from exile to live among the families of those they killed. 'Not one prisoner came asking for forgiveness,' says Kayitesi. A Hutu ex-convict notes, 'I was charged, I was convicted, I was pardoned. I did not ask to be forgiven.' Hatzfeld captures this tension gracefully, weaving lengthy interview excerpts with his own artfully written observations. The result is a book that illustrates vividly the thorny realities that accompany survival and appeasement. 'People are living peacefully, but actually they are avoiding one another,' Kayitesi comments in the book's final pages. 'We'll be humble and nice, we'll share, we'll cooperate as we should. But believing them is unthinkable.'"—Nora Krug, The Washington Post

"[This] newest collection of stories, Beethoven Was One-Sixteenth Black, finds Gordimer poking at embers of the fire that has fueled her work since the very beginning, more than half a century ago: politics, both racial and sexual; our responsibilities to unknown (and perhaps unknowable) others; and, especially, the dangers of delving into history without adequate preparation . . . Nadine Gordimer is more interesting, and provocative, than most."—The Washington Post

"The decency of Jacqueline Novogratz shines through these pages and so does her strength. The stories she shares about the people she has met show the nobility of the human spirit and the breadth of the desire to stop suffering, to feed the hungry, to care for the sick, to empower the poor - in short, to make the world a better place. The Blue Sweater is a book of hope written by a practical idealist who won't take 'no' for an answer when it comes to building a better world. Jacqueline breathes new life into the phrase "a life of meaning" and she is living one everyday even as she asks us to join her."—Senator Bill Bradley

"Takes the traditional pattern of a picaresque novel—an episodic recounting of roguish schemes gone awry—and decorates it with a richly textured overlay of embroidery, applique, collage and found art . . . Mda writes about hardscrabble lives without dwelling on the hardscrabble . . . Mda's elegant patchwork of clever storytelling, wry characterization and good-natured humor is more than enough."—John R. Alden, The Plain Dealer (Cleveland)

“An incendiary new book . . . Here is a refreshing voice . . . What makes Dead Aid so powerful is that it’s a double-barrelled shotgun of a book. With the first barrel, Moyo demolishes all the most cherished myths about aid being a good thing. But with the second, crucially, she goes on to explain what the West could be doing instead.”—Christopher Hart, The Daily Mail

"Petina Gappah's stories range from scathing satire of Zimbabwe's ruling elite to earthy comedy to sensitive accounts of the sufferings of humble victims of the regime. Gappah is a fine writer and a rising star of Zimbabwean literature."—J. M. Coetzee