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Displaying 1-2 of 2
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A Long Way Gone
Memoirs of a Boy Soldier
Ishmael Beah
Sarah Crichton Books
"What is it about African wars that is so disturbing? Why do they unsettle us so? . . . The great benefit of Ishmael Beah's memoir,
A Long Way Gone
, is that it may help us arrive at an understanding of this situation. Beah's autobiography is almost unique, as far as I can determine—perhaps the first time that a child soldier has been able to give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the pubescent (or even prepubescent) warrior-killer . . .
A Long Way Gone
is his first, remarkable book. . . . Beah's memoir joins an elite class of writing: Africans witnessing African wars . . .
A Long Way Gone
makes you wonder how anyone comes through such unrelenting ghastliness and horror with his humanity and sanity intact. Unusually, the smiling, open face of the author on the book jacket provides welcome and timely reassurance. Ishmael Beah seems to prove it can happen."—
William Boyd,
The New York Times Book Review
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War Child
A Child Soldier's Story
Emmanuel Jal, read by Megan Lloyd Davies
St. Martin's Griffin
"Remember, this is a little kid, not even 10 years old, all alone. Hatred, by now, is the only thing that sustains him, hatred for his father, who so brutally double-crossed him, hatred for the Arabs, who he presumes are responsible for this war. There's no glamour here, no pitched battles, only unimaginable misery. Finally, after about two years in the camp, he's recruited into the SPLA, and his real troubles begin. He's beaten and tortured in every possible fashion . . . When he finally does get to kill a few Arabs, he feels no sense of triumph, just sadness. They're human, too, it seems. A couple of miracles happen . . . we know there is a happy ending; otherwise, there wouldn't be this book. Jal becomes a believing Christian and gospel singer. He sets up an organization to help lost boys, but he's . . . often tired and sad and lonely, but in
War Child
he succeeds in making this crazy war and all its ramifications utterly grounded, specific and real . . . You'll come away from this book loving Emmanuel Jal."—
Carolyn See,
The Washington Post Book World
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