"Flynn's talents are considerable—he has a compelling voice and a wry sense of humor."—Vendela Vida, The New York Times Book Review

“To call Itamar Moses ‘promising’ no longer makes sense. He is already one of America’s most accomplished playwrights.”—Terry Teachout, The Wall Street Journal

"A Sunni who has worked for years as a translator for the Americans in Iraq, [Adnan] has been denied a visa to immigrate to the United States . . . His plight is one of three heart-rending tales woven together in Betrayed, a new play by George Packer about the suffering of Iraqis who have risked everything to help the American government and military in Iraq—and have, all too often, received insufficient protection in return. The play . . . explores its subject with a clean focus that draws out the emotional power of the material with clinical precision."—Charles Isherwood, The New York Times

“A spiky and damningly insightful new comedy.”—Ben Brantley, The New York Times

“Detroit is a brilliantly observed piece of art about a particular time and place. That time is now—and by now I mean the current post-recessionary America. That place is a pair of backyards in the suburb of a great American city that has been rocked on its heels.”—Chris Jones, Chicago Tribune

"Rapp . . . is a gifted storyteller. He makes demands on his audience, and he rewards its close attention with depth and elegance."—John Lahr, The New Yorker

"[Moses's] story goes where you expect it to and where you don't, along the way pondering the dilemmas of an artistic life and the ever-shifting nature of even the closest friendships."—Daryl H. Miller, Los Angeles Times

"This ode to love, loss, and the routines of life has the economy and dry wit of a Sondheim love song . . . Schwartz is a real talent and she is trying something ambitious . . . In [her] very modern way, [she is] making a rather old-fashioned case for the power of the written word."—Jason Zinoman, The New York Times

Winner of the Pulitzer Prize

"I Am My Own Wife is the most stirring new work to appear on Broadway this fall [2003]. With nothing to recommend it but a story that is both moving and intellectually absorbing, a staging that is both careful and lovely and a performance that is a true tour de force, we should all hope that theatergoers prove that it belongs there . . . Fascinating and beautifully written."—Bruce Weber, The New York Times

"[LaBute's] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that—if only in some dark corner of our souls—it is there."—Jacques le Sourd, The Journal News (White Plains, New York)

Katrina uses survivor testimony and the rich cultural tradition of New Orleans to tell the story of the immediate aftermath of Hurricane Katrina. Shedding light on some of the more extraordinary and under-reported aspects of the tragedy, the play portrays the odyssey through a series of encounters with individuals displaced and abandoned within their own city where 80% of the homes were eventually underwater. The plot follows the death of Virgil, a decadent old New Orleanian who was trapped by the rising floodwater and killed. His partner Beatrice is determined to take his body to safety at City Hall. During her journey she encounters other survivors and hears their harrowing tales.