"For M.G. Lord, it’s curvaceous, charismatic icons of femininity that hold her imagination hostage . . . What Lord did for Barbie, she now does for La Liz in The Accidental Feminist . . . Lord takes her readers on a chronological journey through the actress’s signal performances, analyzing each film with a theory scholar’s eye for telling detail, brightened with bloggerly brio, emotion, and use of the first person . . . When watching her significant films in succession, you see that, as Lord maintains, each serves as a cinematic Rorschach of social changes percolating through postwar society, in which Taylor stars as the protean blot . . . With The Accidental Feminist, M.G. Lord makes the intriguing case that for Elizabeth Taylor, too much as never enough—not for the woman, not for the actress and not for the society that produced the theater of her life."—New York Times Book Review