"Guy Delisle is a wry 37-year-old French Canadian cartoonist whose work for a French animation studio requires him to oversee production at various Pacific Rim studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual maladies of the long-term boarder: cultural and linguistic alienation, boredom, and cravings for Western food and real coffee. Delisle depicts these sojourns into the heart of isolation in [the] brilliant graphic novel . . . Pyongyang."—Foreign Affairs

"Some memories are like the rubble in a city strafed and scarred by war. Reconnoitering into the past, we pick through the debris, eager to know old truths but fearful of what we may find. Some people choose psychoanalysis to make this treacherous journey . . . Ari Folman did it with Waltz with Bashir . . . The message of the futility of war has rarely been painted with such bold strokes."—Mary Corliss, Time magazine

“The life and times of America’s top cop, by prolific author/artist Geary . . . Geary expertly marks the exacting effort with which Hoover set out during the Depression years to transform the oft-ignored, nearly powerless bureau into a well-publicized and widely idealized national crime-fighting, gangster-busting force . . . As solid, thrilling and informative a guide to the life of the America’s most powerful authoritarian as one could ask for.”—Kirkus Reviews (starrred review)

“If you want to learn about health care reform, you can do no better than to learn from the master. Jonathan Gruber shows how health care reform works in a way that everyone can understand. Read this book. You will not regret it.”—David Cutler, Professor, Department of Economics and Kennedy School of Government, Harvard University

"It is impossible to know war if you do not stand with the mass of the powerless caught in its maw. All narratives of war told through the lens of the combatants carry with them the seduction of violence. But once you cross to the other side, to stand in fear with the helpless and the weak, you confront the moral depravity of industrial slaughter and the scourge that is war itself. Few books achieve this clarity. The Photographer is one. A strange book, part photojournalism and part graphic memoir, The Photographer tells the story of a small mission of mostly French doctors and nurses who traveled into northern Afghanistan by horse and donkey train in 1986, at the height of the Soviet occupation. The book shows the damage done to bodies and souls by shells, bullets and iron fragments, and the frantic struggle to mend the broken."—Chris Hedges, The New York Times

“A concise and powerful overview of one of the twentieth century’s most influential people.”—Michael Lorah, Newsarama.com

"To portray the story of Reagan's road to and life in the White House as a comic strip may seem a trivial means of imparting a grand political message, but the effort turns out to be both ingenious and fair minded, showing with admirable impartiality how a poor boy from Tampico, Ill., became president via commenting on football matches, acting in Hollywood pictures, as a celebrity spokesman for General Electric, and becoming governor of California."—The New York Sun

"Secrets are revealed right up to the present, and in all their complexity, they stay with readers forever. . . . this is a must for the Holocaust curriculum."—Booklist (starred review)

"The 130-page 9/11 Report: A Graphic Adaptation . . . arguably places the attacks in context better than any nonpictorial book could, or any film or television show has done so far. And in the simple visual retelling of the written report's results, it carries a profound emotional impact that is disarming . . . Perhaps most important, the 9/11 Report: A Graphic Adaptation takes a document that is more than 500 pages long and often difficult to penetrate and makes it accessible to a much wider audience—tightening the narrative and increasing the spectacle without the fictionalization . . . The finished product is so solid that Sept. 11 commission Chairman Thomas Kean went from skepticism about a Sept. 11 report comic book to writing the foreword."—Peter Hartlaub, San Francisco Chronicle

“Jacobson said, 'The 9/11 Commission Report basically told its own story. In doing the research for After 9/11 . . . I recognized how much of what’s happened over the past six and a half years hasn’t really stayed with us. One function of the book, we hope, will be to help readers remember' . . . In addition to providing a vividly comprehensible time line, After 9/11 makes intelligible—in a way that even an overtaxed Presidential candidate can grasp—the tribal and religious-factional complexities within Iraq and Afghanistan.”—Mark Singer, The New Yorker

"A lively, well-drawn rendering of Guevara's eventful life—not out of place in a fashionista's handbag, but worthy of a more serious audience as well."—Kirkus Reviews

“It looks like a comic book, and it is a ton of fun. But Sabrina Jones’s graphic depiction of the life of Isadora Duncan is also a serious work of biography . . . In just 125 fluidly drawn pages, Jones brings Duncan’s astonishing creativity, revolutionary fervor and romantic disasters to life.”—Lynn Jacobson, The Seattle Times

"Charles Darwin's On the Origin of Species will be helpful in schools and libraries, where it will undoubtedly help science classes get the lessons of evolution across to students, but it also is useful to readers looking to finally understand what all the fuss was about."—John Hogan, Graphic Novel Reporter

"Learning economics should be fun. Klein and Bauman make sure that it is.”—N. Gregory Mankiw, Professor of Economics, Harvard University, and author of Principles of Economics