"Bombal—with her bold disregard for simple realism in favor of a heightened reality in which the external world reflects the internal truth of the characters' feeling, and with her deliberate mingling of fantasy, memory and event—is the precursor of the magical realism that is the flower of South American writing today . . . [the novel] awake[s] a feeling of genuine discovery, of minds and hearts not borrowed from European literature but indigenous to a New World of thought and feeling."—

“Timothy Henderson has a gift for writing history. The individuals, the battles, and the results remain the same, but his narrative has a fresh, exciting quality. His engrossing history will hold the attention of undergraduate students and grizzled experts. He has written the best short history available.”—William H. Beezley, Professor of History, University of Arizona

“Chris Salewicz’s account of the life of the late, great Robert Nesta Marley contains a raft of never-before published interviews with scores of people who knew the reggae singer. Indeed, Salewicz—a respected journalist whose Joe Strummer biography is also well worth a read—got to know Marley in 1979, and it’s this authenticity that sets the book apart from other biographies about the man and the legend. From Bob’s humble beginnings in Nine Miles to the years in Kingston and the fame, fortune and untimely death in 1981, Bob Marley: The Untold Story is the definitive account of the man and the myth.”—Steve Richards, The Independent (UK)

 

"Characters come fully and movingly to life in Walcott's hands; black and white are treated with equal understanding and sympathy as they go their complicated ways . . . Wit and verbal play . . . enliven every page."—Bernard Knox, The New York Review of Books

"Bastards Tongues is gossipy, vain and pugilistic—in other words, all the juicy things an academic memoir should be but too rarely is."—Michael Erard, The New York Times Book Review

"Bolaño was a difficult, angry, self-reflexive writer who lived an erratic and occasionally unpleasant life. And Americans, as the head of the Swedish Academy has annoyingly but rightly pointed out, don't read much fiction in translation anyway. But when the first of Bolaño's major novels, The Savage Detectives, a massive, bizarre epic about a band of avant-garde Mexican poets, was published in the U.S. last year, it instantly became a cult hit among readers and practically a fetish object to critics. Bolaño's second (and last) major novel is titled 2666, and if anything, it is even more massive and more bizarre. It is also a masterpiece, the electrifying literary event of the year."—Lev Grossman, Time 

“Once again, Adrian Burgos has written a fascinating book about the stories behind the stories of the game of baseball. If you are at all curious about why the most common names in the major leagues are Martinez and Rodriguez, this elegant volume is for you.”—Ken Burns

"Carpentier's writing has the power and range of a cathedral organ on the eve of the Resurrection."—The New Yorker

"A Challenging meditation on politics, love and the burden of history itself . . . What lingers most in this profound work are the images that convey the wonderous grandeur of a society in transformation. The Old Gringo is a brilliant fiction, a luminous and compelling chronicle."—Henry Mayer, San Francisco Chronicle

"This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."—Douglas Day