"It is Levy's light touch in tense situations—when a white friend's father calls a black girl 'darkie' and 'coon' in Faith's presence, when she interacts with villagers in the English countryside—that allows us to experience rather than merely watch Faith's growing disillusionment . . . At times, you might even be tempted to read bits and pieces aloud, just to hear the lyrical quality of the Jamaican-accented English. Though Levy writes specifically about black Jamaican Britons and their struggles to be acknowledged as full members of the larger society, her novel illuminates the general situation facing all children of postcolonial immigrants across the West, from the banlieue of France to the Islamic neighborhoods of New York to the Hispanic ghettos of Los Angeles."—Uzodinma Iweala, The New York Times Book Review

"Rejoice! Here is a novel you've never read before: the story of a long line of extraordinary Afro-Puerto Rican women silenced by history. In Daughters of the Stone, Dahlma Llanos-Figueroa rescues them from oblivion and richly, compellingly, magically, introduces them to literature—and to the world."—Cristina García, author of A Handbook to Luck

"Dancing to 'Almendra,' [Mayra Montero's] ninth novel, [is] lovingly translated by Edith Grossman: a flawless little book with a deceptively light touch . . . I devoured [the book] with absolute delight, and I'm looking forward to reading it again, and to reading anything Montero might come up with next. It's tempting to think in categories . . . but a good novel denies them, nimbly and without visible effort. This novel is great fun to read, and a paradoxical thing to contemplate. When I was done, I wasn't sure if it was an especially well-written genre story, or a literary book based upon an especially raffish plot. Perhaps there's no difference between the two, after all."—Jim Lewis, The New York Times Book Review

"Perhaps the most popular modern poet in the world, the Chilean-born Neruda won the Nobel Prize for an enormous body of verse that includes introspective lyrics of love and lust; sinuously enthusiastic elemental odes to artichokes, watermelon, salt, Walt Whitman and the human eye; declamations in favor of the labor movement, the Communist Party and the working people of any nation; and involuted late poems of self-doubt. Perhaps no serious writer of verse since Whitman has combined so much scholarly attention with so much enthusiasm in a broad international public . . . Memoirist, critic and translator Stavans has culled this useful portable volume, with its facing-page English and Spanish."—Publishers Weekly

"Told with irony and zest . . . All seeming antipodes—whether in tone or the plot details—are right at home and perfectly natural in Padilla's realm, making for a rich, complex texture against which he weaves his spell."—Los Angeles Times

"A nation's narrative rendered through a personal prism, this evocative work succeeds where many similar efforts fail.  The secret?  Paternostro herself, a deservedly celebrated journalist, able to deftly interweave past and present and write with a compassion that resists pathos.  A child of relative privilege, she left a violently changing Colombia for the States at age 15; decades later she returned as a reporter, and what follows is revelatory.  Wrenching interviews with today's Colombians, unflinching descriptions of the horrors wrought by drug cartels and paramilitary groups, and unusual details keenly conveyed amount to a moving, highly memorable take on how a country lost its moorings."—The Atlantic

"Reid-Henry writes with circumstantial detail, yielding, among other things, a touching inventory of the things Guevara carried: a photograph of his wife, copies of Marx and Lenin and an inhaler for asthma. Illuminates unexplored corners in the revolutionary history of Latin America and gives a sympathetic but not uncritical view of a genuine friendship."—Kirkus Reviews

"Brazil is one of the world's most productive crucibles for new ideas and practices in innovation and collaboration. This meticulously researched book provides a sweeping tour of the issues arising form that leadership." —Jonathan Zittrain Professor, Harvard Law School