"Bolaño was a difficult, angry, self-reflexive writer who lived an erratic and occasionally unpleasant life. And Americans, as the head of the Swedish Academy has annoyingly but rightly pointed out, don't read much fiction in translation anyway. But when the first of Bolaño's major novels, The Savage Detectives, a massive, bizarre epic about a band of avant-garde Mexican poets, was published in the U.S. last year, it instantly became a cult hit among readers and practically a fetish object to critics. Bolaño's second (and last) major novel is titled 2666, and if anything, it is even more massive and more bizarre. It is also a masterpiece, the electrifying literary event of the year."—Lev Grossman, Time 

"Carpentier's writing has the power and range of a cathedral organ on the eve of the Resurrection."—The New Yorker

"A Challenging meditation on politics, love and the burden of history itself . . . What lingers most in this profound work are the images that convey the wonderous grandeur of a society in transformation. The Old Gringo is a brilliant fiction, a luminous and compelling chronicle."—Henry Mayer, San Francisco Chronicle

"This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."—Douglas Day

"The simplicity of these 300 vignettes belies their complexity. They read less like stories and more like prose poetry: each word carefully chosen, each phrase evocative of an entire action or mood . . . [Galeano] entwines family history with highly subjective and selective accounts of geological events, South American history, scientific discoveries, and anthropological observations. The results are disturbing; human inhumanity is a frequent topic."—Library Journal

“Timothy Henderson has a gift for writing history. The individuals, the battles, and the results remain the same, but his narrative has a fresh, exciting quality. His engrossing history will hold the attention of undergraduate students and grizzled experts. He has written the best short history available.”—William H. Beezley, Professor of History, University of Arizona

"It is Levy's light touch in tense situations—when a white friend's father calls a black girl 'darkie' and 'coon' in Faith's presence, when she interacts with villagers in the English countryside—that allows us to experience rather than merely watch Faith's growing disillusionment . . . At times, you might even be tempted to read bits and pieces aloud, just to hear the lyrical quality of the Jamaican-accented English. Though Levy writes specifically about black Jamaican Britons and their struggles to be acknowledged as full members of the larger society, her novel illuminates the general situation facing all children of postcolonial immigrants across the West, from the banlieue of France to the Islamic neighborhoods of New York to the Hispanic ghettos of Los Angeles."—Uzodinma Iweala, The New York Times Book Review