"An irresistible compilation of the most stylish prose and revelatory interviews of the last twenty-five years on hip-hop, And It Don't Stop is required reading for any serious devotee of contemporary urban culture . . . A glorious reminder of how influential journalists have been, and continue to be, in helping to shape and create this [music]."—Jason King, New York University

"The birth of hip-hop out of the ruin of the South Bronx is a story that has been told many times, but never with the cinematic scope and the analytic force that Chang brings to it. Robert Moses unleashes the destructive juggernaut of the Cross-Bronx Expressway; landlords set fire to worthless tenements; police stand by and do nothing; and, against a backdrop of gang warfare, peacemaking d.j.s lay down the heavy beats and spidery loops around which a rapping, dancing, graffiti-painting culture grows. This is one of the most urgent and passionate histories of popular music ever written. Chang is blind to no one's greed or viciousness, but he retains an idealistic view of a music that speaks the truth about the alternately stultifying and horrifying urban landscapes that the parents who hate hip-hop have made."—The New Yorker

"[This book is] almost as engaging as the times it so energetically resurrects. Filled with interviews from Sylvester's friends, family, fellow musicians, and admirers, Gamson's account vibrantly reconstructs pre-AIDS San Francisco—the baths and bars, the dizzying sense of personal freedom, and the tragedies that followed when the drugs-and-disco-fueled bacchanal came crashing down . . . Gamson efficiently weaves, among what sometimes seems a never-ending party along Castro Street, the serious issues San Francisco also grappled with, including antigay crusades and the shocking assassinations of Mayor George Moscone and openly gay city supervisor Harvey Milk. Of course, as the book reaches its later chapters, the shadow of AIDS grows more ominous. Complications from the disease would claim Sylvester in 1988. Yet, this isn't a dour book, and Gamson's descriptions of places and people crackle with humor and zest."—Renée Graham, The Boston Globe

"In his new book, Fever, Tim Riley goes beyond his unique fusion of technical music knowledge and stunningly perceptive emotional exegisis of lyrics to a wider-angle social vision . . . Riley is at his very best."—Ron Rosenbaum, The New York Observer