"A vividly revealing chronicle of the Oneidas' thankless role in the American Revolution . . . Assiduously researched . . . [Glatthaar and Martin] closely examine the relationship between American Indians and Euro-Americans and the Oneida Indians’ military aid to the rebels. Along the way they also elucidate the tribal customs, politics and military tactics of the Oneidas."—Chris Patsilelis, Houston Chronicle

"With this book, Hensley, an Inuit who has spent much of his life advocating on behalf of the Iñupiaq, offers both a rich and engrossing narrative of his own life and a valuable resource in the effort to understand and protect the culture and history of Alaska Natives . . . Remembering his childhood, Hensley writes simply but in vivid detail of the hardships of daily life as well as of his deep love of family and traditional culture . . . From an early age, Hensley recognized the conscious efforts of educators and missionaries to 'isolate children from their cultures.' He carried this sense of injustice with him when he left Alaska to pursue his education in the Lower 48 and ultimately became an indefatigable champion of native rights . . . Hensley continues his efforts to preserve and protect his native culture with this deeply respectful and clear-eyed book . . . truly a window into the real Alaska."—Debra Ginsberg, Shelf Awareness

"Starita paints a powerful picture of Standing Bear, the Ponca chief who, by wanting only to bury his son’s bones in the lands of his ancestors, set in motion a series of events that resulted in all Native American peoples being given the full rights of American citizenship. It is a portrait of a man, a portrait of a time, and an evenhanded discussion of the complex legal and moral issues that lay beneath the struggle of our nation’s first inhabitants to find justice in the land of their birth."—Kent Nerburn, author of Chief Joseph and the Flight of the Nez Perce and Neither Wolf nor Dog

"In these crisp, sharp-edged essays David Treuer dares to question the usefulness, let alone the validity, of the term, 'Native American Fiction.'"—Alan Trachtenberg, author of the Francis Parkman Prize-winning Shades of Hiawatha

“His narrative is gripping . . . Utley transforms Sitting Bull, the abstract, romanticized icon and symbol, into a flesh-and-blood person with a down-to-earth story . . . [This book] clears the screen of the exaggerations and fantasies long directed at the name of Sitting Bull.”—The New York Times Book Review