"Harrowing. The reader is drawn in, in effect eavesdropping on a casual conversation among killers . . . Readers who can get beyond their (justified) initial horror will find a wealth of detail here about the genocide."—Alison Des Forges, The Washington Post Book World

"'Why keep on?' asks Claudine Kayitesi, a Tutsi survivor living in relative peace in Nyamata, Rwanda. Her question is not a philosophical one, though that would be understandable given what she has experienced—rape, displacement, the murder of a sister and many others. Rather, her query is directed at the persistent questions of the French journalist Jean Hatzfeld, who has returned to the war-torn landscape he wrote about in two previous books, The Machete Season and Life Laid Bare, to speak again to survivors and perpetrators of the 1994 genocide. Why Hatzfeld keeps on asking questions is among the many thought-provoking issues at the heart of his new book, The Antelope's Strategy. Seven years after his reporting for Machete Season, Hatzfeld finds a much-changed Rwanda: The terrors of war have been replaced by an awkward—and sometimes dangerous—atmosphere of forced reconciliation. Some Hutu prisoners have been released or have returned from exile to live among the families of those they killed. 'Not one prisoner came asking for forgiveness,' says Kayitesi. A Hutu ex-convict notes, 'I was charged, I was convicted, I was pardoned. I did not ask to be forgiven.' Hatzfeld captures this tension gracefully, weaving lengthy interview excerpts with his own artfully written observations. The result is a book that illustrates vividly the thorny realities that accompany survival and appeasement. 'People are living peacefully, but actually they are avoiding one another,' Kayitesi comments in the book's final pages. 'We'll be humble and nice, we'll share, we'll cooperate as we should. But believing them is unthinkable.'"—Nora Krug, The Washington Post

“Thank God (although after reading this book you might stop believing in a higher power) for James Hider.  After working as a reporter on all the major frontlines of the War on Terror, he has produced a masterpiece that strips away the propaganda and prejudice that blights analysis of the first global conflict of the 21st Century.  It is a work of great authority written with wit and wisdom.”—Tim Butcher, author of Blood River

“An incendiary new book . . . Here is a refreshing voice . . . What makes Dead Aid so powerful is that it’s a double-barrelled shotgun of a book. With the first barrel, Moyo demolishes all the most cherished myths about aid being a good thing. But with the second, crucially, she goes on to explain what the West could be doing instead.”—Christopher Hart, The Daily Mail

“Mr. Nusseibeh’s very existence poses a challenge to many Israelis’ beliefs about themselves. But as Once Upon a Country, his fascinating and deeply intelligent memoir, makes clear, Mr. Nusseibeh is really an Israeli dream . . . Such refreshing self-deprecation—rare in Arab public writing—runs throughout this memoir, one of the best personal accounts of the Israeli-Palestinian conflict ever written.”—Ethan Bronner, The New York Times 

“Nicholas Schmidle's portrait of Pakistan is worth more than a whole stack of intelligence reports. From remote Swat to teeming Karachi, he humanizes this labyrinthine country—where real danger has grown while the world focused elsewhere. Schmidle's blend of history and travelogue is by turns poignant and terrifying, but always relevant, always engaging, and more urgent now than ever.”—Nathaniel Fick, author of the New York Times bestseller One Bullet Away

"In an incisive and eloquent new book, the Washington Post reporter Anthony Shadid tells the story of a man named Sabah, who is accused of being a United States informer in the town of Thuluyah . . . Sabah's story is only one of many tragic stories to be found in Night Draws Near, a book that gives a harrowing portrait of life in postwar Iraq and the fallout that the American war has had on ordinary Iraqi civilians . . . Night Draws Near . . . also provides a damning account of the Bush administration's failure to prepare adequately for the postwar occupation of Iraq, and of its missteps and miscalculations in the wake of toppling Saddam Hussein."—Michiko Kakutani, The New York Times

"An authoritative, richly detailed account of American policy in the Middle East . . . [Tyler] writes vividly, allowing the reader access to White House meetings, huddles in the corridors of power, seats at international summits."—Adam LeBor, The New York Times

"[An] engaging and informative account of Afghan life and politics interwoven with a teen's reactions to his first visit to his family's native land. Because of [Hyder's] background and connections, his interest and knowledge of Afghan history and politics, and his language skills, Akbar was involved in his father's work in ways that most teens can only dream of. Readers are rewarded with an inside look at Afghan reconstruction that is both informative and appealing. The teen admires his father and his father's friends immensely; he dreams of being personally involved in nation-building. Readers will come away from this memoir with a strong desire to see into the young man's future and that of the country that has so entranced him."—School Library Journal, starred review