"In this courtship and marriage biography, the author examines an unlikely but powerful bond between cousins, the Origins of the Species scientist and the religious devotee love of his life. Beginning with Darwin's 'to marry or not to marry' pro/con lists through Emma editing Charles' autobiography so that it would be less 'offensive,' the couple provided for each other sounding board, respected opposition, and beloved soulmate . . . The volume provides a unique blend of romance, scientific observations, explanations of medical practices prevalent in the early-nineteenth century, and opportunities to examine scientific discoveries and religious beliefs in detail."—Patti Sylvester Spencer, VOYA

"To portray the story of Reagan's road to and life in the White House as a comic strip may seem a trivial means of imparting a grand political message, but the effort turns out to be both ingenious and fair minded, showing with admirable impartiality how a poor boy from Tampico, Ill., became president via commenting on football matches, acting in Hollywood pictures, as a celebrity spokesman for General Electric, and becoming governor of California."—The New York Sun

"With this book, Hensley, an Inuit who has spent much of his life advocating on behalf of the Iñupiaq, offers both a rich and engrossing narrative of his own life and a valuable resource in the effort to understand and protect the culture and history of Alaska Natives . . . Remembering his childhood, Hensley writes simply but in vivid detail of the hardships of daily life as well as of his deep love of family and traditional culture . . . From an early age, Hensley recognized the conscious efforts of educators and missionaries to 'isolate children from their cultures.' He carried this sense of injustice with him when he left Alaska to pursue his education in the Lower 48 and ultimately became an indefatigable champion of native rights . . . Hensley continues his efforts to preserve and protect his native culture with this deeply respectful and clear-eyed book . . . truly a window into the real Alaska."—Debra Ginsberg, Shelf Awareness

"The 130-page 9/11 Report: A Graphic Adaptation . . . arguably places the attacks in context better than any nonpictorial book could, or any film or television show has done so far. And in the simple visual retelling of the written report's results, it carries a profound emotional impact that is disarming . . . Perhaps most important, the 9/11 Report: A Graphic Adaptation takes a document that is more than 500 pages long and often difficult to penetrate and makes it accessible to a much wider audience—tightening the narrative and increasing the spectacle without the fictionalization . . . The finished product is so solid that Sept. 11 commission Chairman Thomas Kean went from skepticism about a Sept. 11 report comic book to writing the foreword."—Peter Hartlaub, San Francisco Chronicle

“Jacobson said, 'The 9/11 Commission Report basically told its own story. In doing the research for After 9/11 . . . I recognized how much of what’s happened over the past six and a half years hasn’t really stayed with us. One function of the book, we hope, will be to help readers remember' . . . In addition to providing a vividly comprehensible time line, After 9/11 makes intelligible—in a way that even an overtaxed Presidential candidate can grasp—the tribal and religious-factional complexities within Iraq and Afghanistan.”—Mark Singer, The New Yorker

"A lively, well-drawn rendering of Guevara's eventful life—not out of place in a fashionista's handbag, but worthy of a more serious audience as well."—Kirkus Reviews

"Remember, this is a little kid, not even 10 years old, all alone. Hatred, by now, is the only thing that sustains him, hatred for his father, who so brutally double-crossed him, hatred for the Arabs, who he presumes are responsible for this war. There's no glamour here, no pitched battles, only unimaginable misery. Finally, after about two years in the camp, he's recruited into the SPLA, and his real troubles begin. He's beaten and tortured in every possible fashion . . . When he finally does get to kill a few Arabs, he feels no sense of triumph, just sadness. They're human, too, it seems. A couple of miracles happen . . . we know there is a happy ending; otherwise, there wouldn't be this book. Jal becomes a believing Christian and gospel singer. He sets up an organization to help lost boys, but he's  . . . often tired and sad and lonely, but in War Child he succeeds in making this crazy war and all its ramifications utterly grounded, specific and real . . . You'll come away from this book loving Emmanuel Jal."—Carolyn See, The Washington Post Book World

“It looks like a comic book, and it is a ton of fun. But Sabrina Jones’s graphic depiction of the life of Isadora Duncan is also a serious work of biography . . . In just 125 fluidly drawn pages, Jones brings Duncan’s astonishing creativity, revolutionary fervor and romantic disasters to life.”—Lynn Jacobson, The Seattle Times

"Street lit king K'wan returns with the story of four hood rats—i.e., women of uncertain repute—as they run a race to survive the ghetto."—Library Journal

"Charles Darwin's On the Origin of Species will be helpful in schools and libraries, where it will undoubtedly help science classes get the lessons of evolution across to students, but it also is useful to readers looking to finally understand what all the fuss was about."—John Hogan, Graphic Novel Reporter

"Learning economics should be fun. Klein and Bauman make sure that it is.”—N. Gregory Mankiw, Professor of Economics, Harvard University, and author of Principles of Economics

"Sweet, funny, and brilliantly drawn, Kampung Boy is one of the all-time great cartoon books."—Matt Groening

"The matters on which Lear chooses to focus her work are so genuinely interesting . . . I am struggling to think of a writer who comes across as more humanly admirable than the energetic, blunt, determined, and always truthful Beatrix Potter."—The New York Review of Books

"Snow Falling in Spring joins other important books about the Cultural Revolution . . . as childhood testimonies to national trauma, cautionary tales for our own time, and appreciations for homes, old and new." —San Francisco Chronicle

"The updating of The Hardy Boys is done with a style that pays homage to their roots. A minimum of gadgets (thus far a Palm Pilot and a computer nerd father), a close relationship with their parents, and a pair of clean wholesome kids form the basis for this series, just like the novels have all these years."—Tim Lasiuta, Comics Buyer's Guide

"[A] graceful and inventive first novel . . . [Lynch's] declarative style and vivid imagery allow the science of the ocean to blend easily with its poetry."—The New York Times Book Review

"Alison McGhee treats her characters generously and kindly, inviting us to fall in love with them, and it is an offer we cannot refuse. Sometimes a whisper commands more attention than a yell, and this book is such an urgent whisper: beautiful, moving, delicate, and wise."—Andrew Solomon, author of The Noonday Demon