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Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from the sidelines of wars around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today.
In "The Unwanted," Sacco chronicles the detention of Saharan refugees who have washed up on the shores of Malta; "Chechen War, Chechen Women" documents the trial without end of widows in the Caucasus; and "Kushinagar" goes deep into the lives of India's untouchables, who are hanging 'onto the planet by their fingernails.' Other pieces take Sacco to the smuggling tunnels of Gaza; the trial of Milan Kovacevic, Bosnian warlord, in The Hague; and the darkest chapter in recent American history, Abu Ghraib. And on a mission with American troops—pieces never published in the United States—he confronts the misery and absurdity of the war in Iraq.
Among Sacco's most mature, accomplished work, Journalism demonstrates the power of our premier cartoonist to chronicle human experience with a force that often eludes other media.
A Manifesto Anyone?
This volume collects most all the shorter reporting pieces I have done over the years for magazines, newspapers, and book anthologies. As such, it seems to call for some sort of introductory fusillade to rout all those who would naysay the legitimacy of comics as an effective means of journalism.
But before we commence firing, perhaps we should hear out the dissenters. After all, their objections may have merit. How should we respond, for example, when they question the notion that drawings can aspire to objective truth? Isn't that—objective