Maggot Poems

Paul Muldoon

Farrar, Straus and Giroux



Trade Paperback

144 Pages



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Of Plan B, an interim volume that included several of the poems in Maggot, Robert McCrum recently said in the London Observer that “Paul Muldoon, who has done so much to reimagine the poet’s task, has surpassed himself with his latest collection.” In his eleventh full-length book, Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father’s poetic sequence. Taking as a starting point W. B. Yeats’s remark that the only fit topics for a serious mood are “sex and the dead,” Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It’s no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers “a thrilling, wild, fairground ride, with few let-ups for the squeamish.”


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On my own head be it if, after the years of elocution and pianoforte,
the idea that I may have veered
away from the straight
and narrow of Brooklyn or Baltimore for a Baltic state
is one at which, all things being equal, I would demur.
A bit like Edward VII cocking his ear
at the mention of Cork. Yet it seems I've managed nothing more
than to have fetched up here.
To have fetched up here in Vilna—the linen plaids,
the amber, the orange-cap boletus
like a confession extorted from a birch,
the foot-wide pedestal upon which a prisoner would perch
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  • Paul Muldoon

  • Paul Muldoon is the author of ten books of poetry, including the Pulitzer Prize winning Moy Sand and Gravel (FSG, 2002) and, most recently, Horse Latitudes (FSG, 2006). He teaches at Princeton University.

  • Paul Muldoon Peter Cook