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Metaphysical Dog Poems

Frank Bidart

Farrar, Straus and Giroux

0374534624

9780374534622

Trade Paperback

128 Pages

$14.00

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Winner of the National Book Critics Circle Award 

In “Those Nights,” Frank Bidart writes: “We who could get / somewhere through / words through / sex could not.” Words and sex, art and flesh: In Metaphysical Dog, Bidart explores their nexus. The result stands among this deeply adventurous poet’s most powerful and achieved work, an emotionally naked, fearlessly candid journey through many of the central axes, the central conflicts, of his life, and ours.

Near the end of the book, Bidart writes:

     In adolescence, you thought your work
     ancient work: to decipher at last

      human beings’ relation to God. Decipher

     love. To make what was once whole
     whole again: or to see

     why it never should have been thought whole.

This “ancient work” reflects what the poet sees as fundamental in human feeling, what psychologists and mystics have called the “hunger for the Absolute”—a hunger as fundamental as any physical hunger. This hunger must confront the elusiveness of the Absolute, our self-deluding, failed glimpses of it. The third section of the book is titled “History is a series of failed revelations.” The result is one of the most fascinating and ambitious books of poetry in many years.

REVIEWS

Praise for Metaphysical Dog

“No major poet of our time has been so unguarded as Bidart, so willing to travel to the dark places in the psyche, so recklessly earnest about his need to get to the bottom of things . . . Bidart's brave, virulent investment in resistance results in work of extradordinary power . . . [his] work is at once challenging and intimate. It courts excess and disorder with an unmistakable sense that it is possible for the poet to go wrong and thereby betray his vocation. There is in Bidart's work the surprise we crave in art that matters, but we would never think to say about it what Clement Greenberg said of experimental art: that it is ‘all surprise without satisfaction.’”—Robert Boyers, The Nation

“At seventy-three years old, Bidart has a light, mellifluous voice that could lend succor to the shell shocked. Exceedingly generous and gentle, he also wields a supercharged intelligence, a tentacled erudition that reaches deep into what Matthew Arnold dubbed ‘the best that is known and thought in the world . . . Metaphysical Dog . . . [is] his most intimate testimonial of the poetic mind in reciprocity with the personal man.”—William Giraldi, Poets & Writers

“My favourite book of the spring—and likely of many springs to come—is Metaphysical Dog by Frank Bidart, our great poet of rage—rage at the self, rage at the world—and acceptance. This collection engages his entire body of work, echoing the lyric fluency of his incomparable 2008 collection Watching the Spring Festival, assessing his legendary long poem 'Ellen West,' from 1977’s The Book of the Body, and even harking back to the visionary terrain of his debut, Golden State. Metaphysical Dog is a book of devastating beauty and genuine terror—an unrelenting inquiry into some of the darkest corners of existence. No writer means as much to me as Frank Bidart, and I’m conscious of the inadequacy of this attempt to describe his work. But how do you write about unspeakable eloquence? How can you explain art that has taught you how to live?”—Jared Bland, The Globe and Mail

“Frank Bidart has made an epic return to poetry, this time giving readers his latest collection, Metaphysical Dog, a work that dissects personal complexities in search for acceptance from within . . . At 72-years-old, Bidart keeps readers enticed as we savor this deeply reflective collection. Each piece is full of dynamic energy that keeps readers captivated. Such is the case with the poem ‘History,’ a winding piece of symphonic beauty . . . The work can be described as dark and erotic as Bidart switches from themes of death to sex. A striking commonality between them, as Bidart seems to suggest, exists with our curiosity. While sex and death are two immense themes within the contemporary work, Bidart places particular emphasis on his personal upbringing, faith, and homosexuality . . . Each poem seems to serve as a reflection posed in question. As each of the multifaceted pieces breaks down its walls, readers advance into a place of vulnerability and speculation. Over the course of the collection, Bidart comes to find those answers, as theory becomes growth, inner-strength, and assurance. Metaphysical Dog is a burning and poignant read chock-full of lengthy prose to short, forceful pieces. As the collection has proved, time and time again, Bidart has continued to maintain his status as a prolific, unstoppable wordsmith.”—Kacy Muir, Times Leader

“‘At seventy-two, the future is what I mourn,’ Bidart announces in this starkly inspiring eighth collection. The poet’s spiky free reverse remains direct, sometimes even frightening, and clearer than ever before about mortality—his own death, and the deaths of his friends and his parents; and yet, perhaps in the spirit of anticipatory mourning, familiar interests—in old and new movies, terse metaphysical argument, and sex, especially sex between men—are all present. ‘The true language of ecstasy / is the forbidden // language of the mystics,’ he says in ‘Defrocked,’ exploring the language of piety as well as of blasphemy as he returns to his Bakersfield, Calif., childhood and his family’s Catholic belief. Bidart’s taut lines investigate faith and doubt, art and yearning, erotic fulfillment and literary heritage, ‘fueled by the ruthless gaze that / unshackled the chains shackling / queer me in adolescence,’ even as they investigate their own premises; in ‘Writing “Ellen West,” ’ they also ask how Bidart composed one of his own most famous poems. The new volume veers away from the interest in overt beauty, rendered in musical lines, that was evinced in Watching the Spring Festival (2009), leaning more in this volume on the wiry abstractions of Bidart’s earlier work. At the same time, the poems of Metaphysical Dog are at once emotionally bracing and full of intellectual reward. Bidart is widely admired by other influential poets; he seems in line for even more attention than he has received.”—Publishers Weekly (starred review)

In the Press

Frank Bidart's NBCC Award Acceptance Speech | Work in Progress
Early in my life Elizabeth Bishop and Robert Lowell gave me the great gift of their friendship.  The dilemma they faced at the beginning of their writing life is the same dilemma that every serious poet has faced since

Reviews from Goodreads

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BOOK EXCERPTS

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Frank Bidart’s most recent full-length collections of poetry are Watching the Spring Festival (FSG, 2008), Star Dust (FSG, 2005), Desire (FSG, 1997), and In the Western Night: Collected Poems 1965–90 (FSG, 1990). He has won many prizes, including the Wallace Stevens Award, and, most recently, the 2007 Bollingen Prize for American Poetry. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

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ABOUT THE AUTHOR

  • Frank Bidart

  • Frank Bidart’s most recent full-length collections of poetry are Watching the Spring Festival, Star Dust, Desire, and In the Western Night: Collected Poems 1965–90. He has won many prizes, including the Wallace Stevens Award, and, most recently, the 2007 Bollingen Prize for American Poetry. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

  • Frank Bidart Emma Dodge Hanson
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