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Object Lessons The Paris Review Presents the Art of the Short Story


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1250005981

9781250005984

Trade Paperback

368 Pages

$16.00

CAD18.50

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Twenty contemporary authors introduce twenty sterling examples of the short story from the pages of The Paris Review.  "Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."—from the Editors’ Note

What does it take to write a great short story? In Object Lessons, twenty contemporary masters of the genre answer that question, sharing favorite stories from the pages of The Paris Review. Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology—the first of its kind—is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer’s point of view. WITH SELECTIONS BYDaniel Alarcón · Donald Barthelme · Ann Beattie · David Bezmozgis · Jorge Luis Borges · Jane Bowles · Ethan Canin · Raymond Carver · Evan S. Connell · Bernard Cooper · Guy Davenport · Lydia Davis · Dave Eggers · Jeffrey Eugenides · Mary Gaitskill · Thomas Glynn · Aleksandar Hemon · Amy Hempel · Mary-Beth Hughes · Denis Johnson · Jonathan Lethem · Sam Lipsyte · Ben Marcus · David Means · Leonard Michaels · Steven Millhauser · Lorrie Moore · Craig Nova · Daniel Orozco · Mary Robison · Norman Rush · James Salter · Mona Simpson · Ali Smith · Wells Tower · Dallas Wiebe · Joy Williams

REVIEWS

Praise for Object Lessons

“Hyperinteresting shoptalk from some of literary culture’s best shops, and best talkers.”——Kathryn Schulz, New York Magazine
“The stories are indeed varied in their style, as the editors’ note promises, but many of them left me with the same feeling: devastation.”—The Christian Science Monitor

“This thoughtful book will make you look at short fiction with new eyes.”—Minneapolis Star Tribune

“Short story fans should look past [‘Best American’ anthologies] to find this collection curated from the archives of The Paris Review.”—The Cleveland Plain Dealer

“A compendium of The Paris Review’s short story hits, curated with the ambitious, aspiring writer in mind . . . Jeffrey Eugenides’ discussion of Denis Johnson’s 'Car Crash While Hitchhiking' captures that story’s heartbreak and serves as an essay on the virtues of the form itself . . . A smart showcase of a half-century’s worth of pathways in fiction.”—Kirkus Review

“The editors call this a guide for young writers and readers interested in literary technique, and the book achieves that purpose while also serving as a tribute to the role The Paris Review has played in maintaining the diversity of the short story form. The collection reminds us that good stories are always whispering into each other’s ears.”—Publishers Weekly

Reviews from Goodreads

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BOOK EXCERPTS

Read an Excerpt

Daniel Alarcón
on
Joy Williams’s Dimmer
 
 
Joy Williams is one of those unique and instantly recognizable storytelling voices, capable of finding the mysterious and magical heart within even the most ordinary human acts. Her stories begin in unexpected places, and take surprising turns toward their eventual end. She doesn’t describe life; she exposes it. She doesn’t write scenes, she evokes them with a finely observed gesture, casually reinterpreted to provide maximum, often devastating, insight:
He had straddled the baby as it crept across the

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ABOUT THE AUTHOR


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  • Established in 1953, The Paris Review is America’s preeminent literary magazine.

    Lorin Stein is the editor of The Paris Review.

    Sadie Stein is deputy editor of The Paris Review. They are not related.

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