“Oakes’ entry on underground comics gives a focused history for the uninitiated, while her firsthand experiences in self-reliant publishing provide a unique insider’s view of the struggles to keep such operations afloat. Luminaries such as itinerant bassist Mike Watt, Silver Jews leader David Berman and Ghost World author Dan Clowes give further insight into their respective fields.”—Kirkus Reviews

“As Oakes reminds us, indie culture has a strong history of reciprocity between producer and consumer; it is a creative community that should produce an equal amount of inspiration and consumption . . . Covering musicians, zines, comics, independent presses, and homemade crafts and events, Oakes uses the concept of a creative community as a mediating theme to illustrate how indie culture has oscillated between the music and literary scene throughout the last few decades . . . this will particularly appeal to artists, musicians, writers, and kids with thick-rimmed glasses.”—Library Journal

“[A] lively and highly literate explication of various American indie scenes and art forms . . . [Oakes’] focus on independent publishing and writing—provides a worthy parallel narrative to Michael Azzerad’s essential indie music history, This Band Could Be Your Life . . . Oakes begins the book with a much appreciated primer on some of the intellectual forebears of her book’s central characters, including the poets Frank O’Hara and Allen Ginsberg and the revolutionary street theater group the Diggers. As an explanation and excavation of the already fading recent past, it is essential reading.”—Publishers Weekly