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The Mercy Seat A Play

Neil LaBute

Faber & Faber

0571211380

9780571211388

Trade Paperback

96 Pages

$14.00

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In a time of national tragedy, the world changes overnight. On September 12, 2001, Ben Harcourt finds himself in the downtown apartment of his lover, Abby Prescott—who also happens to be his boss. His endlessly ringing cell phone haunts their conversation as Ben and Abby explore the choices now available to them in an existence different from the one they knew only yesterday. Will Ben let his family know he's alive, or will he and Abby take this chance to create a new life for themselves?

The Mercy Seat continues the brilliant American playwright Neil LaBute's unflinching fascination with the often harsh realities of the war between the sexes, brutally exploring whether one can be truly opportunistic in a time of universal selflessness.

REVIEWS

Praise for The Mercy Seat

"There is no playwright on the planet these days who is writing better than Neil LaBute . . . The Mercy Seat [is] the work of a master."—John Lahr, The New Yorker

"LaBute [is] our American Aesop, a mad moral fabulist serving stiff tonic for our country's sin-sick souls."—John Istel, American Theatre

"An intelligent and thought-provoking drama that casts a less-than-glowing light on man's dark side in the face of disaster . . . The play's energy lies in LaBute's trademark scathing dialogue."—Robert Dominguez, Daily News

"Though set in the cold, gray light of morning in a downtown loft with inescapable views of the vacuum left by the twin towers, The Mercy Seat really occurs in one of those feverish nights of the soul in which men and women lock in vicious sexual combat, as in Strindberg's Dance of Death and Edward Albee's Who's Afraid of Virginia Woolf?"—Ben Brantley, The New York Times

"[A] powerful drama . . . LaBute shows a true master's hand in gliding us amid the shoals and reefs of a mined relationship."—Donald Lyons, New York Post

"Uncomfortable yet fascinating . . . The Mercy Seat makes for provocative theater—sharp, compelling, and more than a little chilling."—Michael Kuchwara, Newsday

"In The Mercy Seat . . . LaBute has given us his most compelling portrait of male inner turmoil."—Brendan Lemon, Financial Times

"The sharply funny and incisive Seat is not a response to September 11, but a response to the response to September 11—an emotionally jarring consideration of the self-serving exploitation of tragedy for personal gain . . . Perhaps it's time we stop thinking of LaBute as a mere provocateur, a label that condescends to an artist of grand ambition and a nimble facility with language. With this gripping . . . new drama, he probes deeper than he ever has before . . . LaBute [is] the dark shining star of stage and film morality."—Jason Zinoman, TimeOut New York

"A nihilistic yet brutally honest work . . . As complex and unfathomable as human motivations . . . The Mercy Seat is haunting."—David A. Rosenberg, Backstage

"LaBute risks offending contemporary sensibilities by using a historic tragedy as his turning point for a drama regarding a morally empty America . . . [The Mercy Seat is] controversial and compelling."—Michael Sommers, The Star-Ledger

"LaBute [is] holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that—if only in some dark corner of our soul—it is there."—Jacques le Sourd, The Journal News

Reviews from Goodreads

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BOOK EXCERPTS

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The Mercy Seat
Silence. Darkness. 
A spacious loft apartment, well appointed. Doors leading off in several directions, suggesting a hallway to bedrooms and a bathroom or two. A stainless-steel kitchen, visible. Three large arched windows display a view of other buildings across the street. A kind of amber haze in the air. 
This is a large sitting room with lovely couches and chairs. Bookshelves heaped high. Framed pictures. A television plays quietly in one corner. A layer of white dust on everything. Absolutely everything. 
BEN, maybe thirty-three, sits pressed into
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ABOUT THE AUTHOR

  • Neil LaBute

  • Neil LaBute is a critically acclaimed writer-director for both the stage and screen. His works include the plays The Distance from Here and bash: latterday plays and the films In the Company of Men, Your Friends and Neighbors, Nurse Betty, and Possession, as well as the play and film adaptation of The Shapes of Things.
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