The greatest of the late medieval Scots makars, Robert Henryson was influenced by their vision of the frailty and pathos of human life, and by the inherited poetic example of Geoffrey Chaucer. Henryson’s finest poem, and one of the rhetorical masterpieces of Scots literature, is the narrative Testament of Cresseid. Set in the aftermath of the Trojan War, the Testament completes the story of Chaucer’s Troilus and Criseyde, offering a tragic account of its faithless heroine’s rejection by her lover, Diomede, and of her subsequent decline into prostitution and leprosy. Written in Middle Scots, a distinctive northern version of English, the Testament has been translated by Seamus Heaney into a confident but faithful idiom that matches the original verse form and honors the poem’s unique blend of detachment and compassion.
A master of high narrative, Henryson was also a comic master of the verse fable, and his burlesques of human weakness in the guise of animal wisdom are delicately pointed with irony. Seven of the Fables are here sparklingly translated by Heaney, their freshness rendered to the last claw and feather. Together, The Testament of Cresseid and Seven Fables provide a rich and wide-ranging encounter between two poets across six centuries.
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Praise for Seamus Heaney’s translation of The Testament of Cresseid & Seven Fables:“The Testament of Cresseid is a beautiful, rare work, unique in the history of literature for [the ‘recognition’] scene alone. Heaney has done us all a generous and graceful service.” —Ruth Padel, Financial Times“The wintry force and appeal of [The Testament] are certainly apparent in [Heaney’s] rendering . . . Read him and you’ll want to experience the original, too.” —Sean O’Brien, The Sunday Times (London)“The Testament of Cresseid is [Henryson’s] masterpiece, possibly the greatest short narrative poem of the Middle Ages. It mingles human sympathy, moral judgment, ironic awareness and grim humour in equal measure . . . [Heaney’s] translation of The Testament into modern English . . . is a reminder that translation is one of the glories of the English literary tradition.” —Jonathan Bate, The Sunday Telegraph“Virtuoso moments are common in the book, with Heaney not only giving a justmodern account of Henryson, but offering something distinctive and memorable on its own account.” —Peter McDonald, The Guardian“[Heaney’s translation of ] The Testament of Cresseid and Seven Fables is typically both masterful and accessible.” —Carol Ann Duffy, The Daily Telegraph
Celebrating the Life and Work of Seamus Heaney | Work in ProgressSeamus Heaney’s death last week left a rift in our lives, and in poetry, that won’t easily be mended. A Nobel Laureate, a devoted husband, a sharp translator, a beloved friend, and the big-hearted leader of the “Government of the Tongue,” Seamus was a poet of conscience...- FSG's Work in Progress
Seamus Heaney (1939-2013) received the Nobel Prize in Literature in 1995. His poems, plays, translations, and essays include Opened Ground, Electric Light, Beowulf, The Spirit Level, District and Circle, and Finders Keepers. Robert Lowell praised Heaney as the "most important Irish poet since Yeats."
Robert Henryson lived in Dunfermline, Scotland, sometime between 1400 and 1500. Counted among the Scots makars, he composed his highly inventive verse in Middle Scots. His surviving corpus amounts to fewer than five thousand lines