Thomas Adès: Full of Noises

Conversations with Tom Service

Thomas Adès and Tom Service

Farrar, Straus and Giroux

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Composer, conductor, and pianist, Thomas Adès is one of the most diversely talented musical figures of his generation. His music is performed by great opera companies, symphony orchestras, chamber groups, and music festivals throughout the world. But Adès has resisted public discussion of the creative process behind his musical compositions. Until now, the interior experience that has fired the spectrum of his work—from his first opera, Powder Her Face, to his masterpiece The Tempest and his acclaimed orchestral works Asyla and Tevot—has largely remained unexplained. Here, in spirited, intimate, and, at times, contentious conversations with the distinguished music critic Tom Service, Adès opens up about his work. “For Adès, whose literary and artistic sensibilities are nearly as refined and virtuosic as his musical instincts,” writes Service, “inhabiting the different territory of words rather than notes offers a chance to search out new creative correspondences, to open doors—a phrase he often uses—into new ways of thinking in and about music.”

The phrase “full of noises,” from Caliban’s speech in The Tempest, refers both to the sounds “swirling around” Adès’s head that are transmuted into music and to the vast array of his musical influences—from Sephardic folk music, to 1980s electronica, to Adès’s passion for Beethoven and Janáček and his equally visceral dislike of Wagner. It also suggests “the creative friction” essential to any authentic dialogue. As readers of these “wilfully brilliant” conversations will quickly discover, Thomas Adès: Full of Noises brings us into the “revelatory kaleidoscope” of Adès’s world.

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Thomas Ades: Full of Noises
1a studio covered in scraps - stability/instability - magnetism - subjects and titles - forms and feelings - Chopin and the bottomless pool - opera and drama - absurdity - Wagner's fungus, janáek's truth, Mahler's banality 
 
What are you writing just now? 
I'm writing something that will probably be absorbed into my new opera. I often find that smaller pieces emerge before an opera. If an idea emerges that might not go into the smaller pieces, I immediately write it on a scrap of paper and stick it to the wall.

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Reviews

Praise for Thomas Adès: Full of Noises

“Energetic, honest, and warm, these conversations between friends reveal the intricacies of the creative process and a deep and abiding love of music.”
Publishers Weekly

“Traverse[s] much of the geography of classical music, then and now . . . Arresting and memorable.”
—Kirkus Reviews

Thomas Adès: Full of Noises is a brilliant self-analytical plunge into the mind of one of our greatest artists, the composer Thomas Adès, for whom composing begins with musical notes slipping and sliding across a sheet of paper with a will of their own, and writing an opera feels like swimming alone in a deep ocean. This book is a probing guide to the creative process, as virtuosic in its way as one of Adès’s musical compositions.”
Peter Gelb, general manager, Metropolitan Opera

“[Adès] has outgrown his status as the wunderkind of a vibrant British scene and become one of the most imposing figures in contemporary classical music.”
Alex Ross, The New Yorker

“[Adès] is one of the most accomplished and complete musicians of his generation.”
Anthony Tommasini, The New York Times

“Even as the UK is brimming with wonderful young composers, I think few would dispute that Tom Adès may be the most extravagantly gifted of them all.”
Sir Simon Rattle, Gramophone


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About the Author

Thomas Adès and Tom Service

Thomas Adès is widely considered the foremost composer of his generation. His first opera, Powder Her Face, has been produced throughout the world; his 1997 orchestral piece Asyla won a Grawemeyer Award; and his 2004 opera The Tempest was staged at the Royal Opera House to huge critical acclaim. The Tempest premiered at the Metropolitan Opera in October 2012, with Adès at the podium. Adès was artistic director of the Aldeburgh Festival for a decade, has conducted orchestras from the New York Philharmonic to the London Symphony Orchestra, and has had festivals worldwide devoted to his music.

Tom Service writes about music for The Guardian, where he was chief classical music critic, and broadcasts for BBC Radio 3. He has presented Radio 3’s flagship magazine program, Music Matters, since 2003. Service was the inaugural recipient of the ICMP/CIEM Classical Music Critic of the Year Award and a guest artistic director of the Huddersfield Contemporary Music Festival. He is the author of Music as Alchemy: Journeys with Great Conductors and Their Ochestras.

Thomas Adès
Tom Service

Tom Service

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Available Formats and Book Details

Thomas Adès: Full of Noises
Conversations with Tom Service
Thomas Adès and Tom Service

Hardcover

Hardcover
Farrar, Straus and Giroux
October 2012
Hardcover
ISBN: 9780374276324
ISBN10: 0374276323
5 1/2 x 8 1/4 inches, 208 pages, List of Works/Index
$25.00

e-Book Agency

e-Book Agency
Farrar, Straus and Giroux
October 2012
e-Book Agency
ISBN: 9780374709914
ISBN10: 0374709912
208 pages, List of Works/Index
$11.99
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