sailing to Byzantium
ROBERT SILVERBERG
Robert Silverberg is one of the most famous SF writers of modern times, with dozens of novels, anthologies, and collections to his credit. As both writer and editor (he was editor of the original anthology series New Dimensions, perhaps most acclaimed anthology series of its era), Silverberg was one of the most influential figures of the Post–New Wave era of the '70s, and continues to be at the forefront of the field to this very day, having won a total of five Nebula Awards and four Hugo Awards, plus SFWA's prestigious Grandmaster Award.
His novels include the acclaimed Dying Inside, Lord Valentine's Castle, The Book of Skulls, Downward to the Earth, Tower of Glass, Son of Man, Nightwings, The World Inside, Born with the Dead, Shadrack in the Furnace, Thorns, Up the Line, The Man in the Maze, Tom O'Bedlam, Star of Gypsies, At Winter's End, The Face of the Waters, Kingdoms of the Wall, Hot Sky at Midnight, The Alien Years, Lord Prestimion, The Mountains of Majipoor, and two novel-length expansions of famous Isaac Asimov stories, Nightfall and The Ugly Little Boy. His collections include Unfamiliar Territory, Capricorn Games, Majipoor Chronicles, The Best of Robert Silverberg, The Conglomeroid Cocktail Party, Beyond the Safe Zone, and a massive retrospective collection, The Collected Stories of Robert Silverberg, Volume One: Secret Sharers. His reprint anthologies are far too numerous to list here, but include The Science Fiction Hall of Fame, Volume One and the distinguished Alpha series, among dozens of others. His most recent books are the novel The Longest Way Home, the mosaic novel Roma Eterna, and a massive new retrospective collection, Phases of the Moon: Six Decades of Masterpieces. Coming up is a new collection, In the Beginning. He lives with his wife, writer Karen Haber, in Oakland, California.
Here, in the one of the most distinguished stories of a long and distinguished career, a story that won him both Hugo and Nebula awards, he takes us to the very far future, on tour with a twentieth-century man in a world where everyone is a tourist, and nothing is quite what it seems.
At dawn he arose and stepped out onto the patio for his first look at Alexandria, the one city he had not yet seen. That year the five cities were Chang-an, Asgard, New Chicago, Timbuctoo, Alexandria: the usual mix of eras, cultures, realities. He and Gioia, making the long flight from Asgard in the distant north the night before, had arrived late, well after sundown, and had gone straight to bed. Now, by the gentle apricot-hued morning light, the fierce spires and battlements of Asgard seemed merely something he had dreamed.
The rumor was that Asgard's moment was finished anyway. In a little while, he had heard, they were going to tear it down and replace it, elsewhere, with Mohenjo-daro. Though there were never more than five cities, they changed constantly. He could remember a time when they had had Rome of the Caesars instead of Chang-an, and Rio de Janeiro rather than Alexandria. These people saw no point in keeping anything very long.
It was not easy for him to adjust to the sultry intensity of Alexandria after the frozen splendors of Asgard. The wind, coming off the water, was brisk and torrid both at once. Soft turquoise wavelets lapped at the jetties. Strong presences assailed his senses: the hot heavy sky, the stinging scent of the red lowland sand borne on the breeze, the sullen swampy aroma of the nearby sea. Everything trembled and glimmered in the early light. Their hotel was beautifully situated, high on the northern slope of the huge artificial mound known as the Paneium that was sacred to the goatfooted god. From here they had a total view of the city: the wide noble boulevards, the soaring obelisks and monuments, the palace of Hadrian just below the hill, the stately and awesome Library, the temple of Poseidon, the teeming marketplace, the royal lodge that Marc Antony had built after his defeat at Actium. And of course the Lighthouse, the wondrous many-windowed Lighthouse, the seventh wonder of the world, that immense pile of marble and limestone and reddish-purple Aswan granite rising in majesty at the end of its mile-long causeway. Black smoke from the beacon fire at its summit curled lazily into the sky. The city was awakening. Some temporaries in short white kilts appeared and began to trim the dense dark hedges that bordered the great public buildings. A few citizens wearing loose robes of vaguely Grecian style were strolling in the streets.
There were ghosts and chimeras and phantasies everywhere about. Two slim elegant centaurs, a male and a female, grazed on the hillside. A burly thick-thighed swordsman appeared on the porch of the temple of Poseidon holding a Gorgon's severed head and waved it in a wide arc, grinning broadly. In the street below the hotel gate three small pink sphinxes, no bigger than housecats, stretched and yawned and began to prowl the curbside. A larger one, lion-sized, watched warily from an alleyway: their mother, surely. Even at this distance he could hear her loud purring.
Shading his eyes, he peered far out past the Lighthouse and across the water. He hoped to see the dim shores of Crete or Cyprus to the north, or perhaps the great dark curve of Anatolia. Carry me toward that great Byzantium, he thought. Where all is ancient, singing at the oars. But he beheld only the endless empty sea, sun-bright and blinding though the morning was just beginning. Nothing was ever where he expected it to be. The continents did not seem to be in their proper places any longer. Gioia, taking him aloft long ago in her little flitterflitter, had shown him that. The tip of South America was canted far out into the Pacific, Africa was weirdly foreshortened; a broad tongue of ocean separated Europe and Asia. Australia did not appear to exist at all. Perhaps they had dug it up and used it for other things. There was no trace of the world he once had known. This was the fiftieth century. "The fiftieth century after what?" he had asked several times, but no one seemed to know, or else they did not care to say.
"Is Alexandria very beautiful?" Gioia called from within.
"Come out and see."
Naked and sleepy-looking, she padded out onto the white-tiled patio and nestled up beside him. She fit neatly under his arm. "Oh, yes, yes!" she said softly. "So very beautiful, isn't it? Look, there, the palaces, the Library, the Lighthouse! Where will we go first? The Lighthouse, I think. Yes? And then the marketplace—I want to see the Egyptian magicians—and the stadium, the races—will they be having races today, do you think? Oh, Charles, I want to see everything!"
"Everything? All on the first day?"
"All on the first day, yes," she said. "Everything."
"But we have plenty of time, Gioia."
"Do we?"
He smiled and drew her tight against his side.
"Time enough," he said gently.
He loved her for her impatience, for her bright bubbling eagerness. Gioia was not much like the rest in that regard, though she seemed identical in all other ways. She was short, supple, slender, dark-eyed, olive-skinned, narrow-hipped, with wide shoulders and flat muscles. They were all like that, each one indistinguishable from the rest, like a horde of millions of brothers and sisters—a world of small lithe childlike Mediterraneans, built for juggling, for bull-dancing, for sweet white wine at midday and rough red wine at night. They had the same slim bodies, the same broad mouths, the same great glossy eyes. He had never seen anyone who appeared to be younger than twelve or older than twenty. Gioia was somehow a little different, although he did not quite know how; but he knew that it was for that imperceptible but significant difference that he loved her. And probably that was why she loved him also.
He let his gaze drift from west to east, from the Gate of the Moon down broad Canopus Street and out to the harbor, and off to the tomb of Cleopatra at the tip of long slender Cape Lochias. Everything was here and all of it perfect, the obelisks, the statues and marble colonnades, the courtyards and shrines and groves, great Alexander himself in his coffin of crystal and gold: a splendid gleaming pagan city. But there were oddities—an unmistakable mosque near the public gardens, and what seemed to be a Christian church not far from the Library. And those ships in the harbor, with all those red sails and bristling masts—surely they were medieval, and late medieval at that. He had seen such anachronisms in other places before. Doubtless these people found them amusing. Life was a game for them. They played at it unceasingly. Rome, Alexandria, Timbuctoo—why not? Create an Asgard of translucent bridges and shimmering ice-girt palaces, then grow weary of it and take it away? Replace it with Mohenjo-daro? Why not? It seemed to him a great pity to destroy those lofty Nordic feasting halls for the sake of building a squat brutal sun-baked city of brown brick; but these people did not look at things the way he did. Their cities were only temporary. Someone in Asgard had said that Timbuctoo would be the next to go, with Byzantium rising in its place. Well, why not? Why not? They could have anything they liked. This was the fiftieth century, after all. The only rule was that there could be no more than five cities at once. "Limits," Gioia had informed him solemnly when they first began to travel together, "are very important." But she did not know why, or did not care to say.
He stared out once more toward the sea.
He imagined a newborn city congealing suddenly out of mists, far across the water: shining towers, great domed palaces, golden mosaics. That would be no great effort for them. They could just summon it forth whole out of time, the Emperor on his throne and the Emperor's drunken soldiery roistering in the streets, the brazen clangor of the cathedral gong rolling through the Grand Bazaar, dolphins leaping beyond the shoreside pavilions. Why not? They had Timbuctoo. They had Alexandria. Do you crave Constantinople? Then behold Constantinople! Or Avalon, or Lyonesse, or Atlantis. They could have anything they liked. It is pure Schopenhauer here: the world as will and imagination. Yes! These slender dark-eyed people journeying tirelessly from miracle to miracle. Why not Byzantium next? Yes! Why not? That is no country for old men, he thought. The young in one another's arms, the birds in the trees—yes! Yes! Anything they liked. They even had him. Suddenly he felt frightened. Questions he had not asked for a long time burst through into his consciousness. Who am I? Why am I here? Who is this woman beside me?
"You're so quiet all of a sudden, Charles," said Gioia, who could not abide silence for very long. "Will you talk to me? I want you to talk to me. Tell me what you're looking for out there."
He shrugged. "Nothing."
"Nothing?"
"Nothing in particular."
"I could see you seeing something."
"Byzantium," he said. "I was imagining that I could look straight across the water to Byzantium. I was trying to get a glimpse of the walls of Constantinople."
"Oh, but you wouldn't be able to see as far as that from here. Not really."
"I know."
"And anyway Byzantium doesn't exist."
"Not yet. But it will. Its time comes later on."
"Does it?" she said. "Do you know that for a fact?"
"On good authority. I heard it in Asgard," he told her. "But even if I hadn't, Byzantium would be inevitable, don't you think? Its time would have to come. How could we not do Byzantium, Gioia? We certainly will do Byzantium, sooner or later. I know we will. It's only a matter of time. And we have all the time in the world."
A shadow crossed her face. "Do we? Do we?"
He knew very little about himself, but he knew that he was not one of them. That he knew. He knew that his name was Charles Phillips and that before he had come to live among these people he had lived in the year 1984, when there had been such things as computers and television sets and baseball and jet planes, and the world was full of cities, not merely five but thousands of them, New York and London and Johannesburg and Paris and Liverpool and Bangkok and San Francisco and Buenos Aires and a multitude of others, all at the same time. There had been four and a half billion people in the world then; now he doubted that there were as many as four and a half million. Nearly everything had changed beyond comprehension. The moon still seemed the same, and the sun; but at night he searched in vain for familiar constellations. He had no idea how they had brought him from then to now, or why. It did no good to ask. No one had any answers for him; no one so much as appeared to understand what it was that he was trying to learn. After a time he had stopped asking; after a time he had almost entirely ceased wanting to know.
He and Gioia were climbing the Lighthouse. She scampered ahead, in a hurry as always, and he came along behind her in his more stolid fashion. Scores of other tourists, mostly in groups of two or three, were making their way up the wide flagstone ramps, laughing, calling to one another. Some of them, seeing him, stopped a moment, stared, pointed. He was used to that. He was so much taller than any of them; he was plainly not one of them. When they pointed at him he smiled. Sometimes he nodded a little acknowledgment.
He could not find much of interest in the lowest level, a massive square structure two hundred feet high built of huge marble blocks: within its cool musty arcades were hundreds of small dark rooms, the offices of the Lighthouse's keepers and mechanics, the barracks of the garrison, the stables for the three hundred donkeys that carried the fuel to the lantern far above. None of that appeared inviting to him. He forged onward without halting until he emerged on the balcony that led to the next level. Here the Lighthouse grew narrower and became octagonal: its face, granite now and handsomely fluted, rose in a stunning sweep above him.
Gioia was waiting for him there. "This is for you," she said, holding out a nugget of meat on a wooden skewer. "Roast lamb. Absolutely delicious. I had one while I was waiting for you." She gave him a cup of some cool green sherbet also, and darted off to buy a pomegranate. Dozens of temporaries were roaming the balcony, selling refreshments of all kinds.
He nibbled at the meat. It was charred outside, nicely pink and moist within. While he ate, one of the temporaries came up to him and peered blandly into his face. It was a stocky swarthy male wearing nothing but a strip of red and yellow cloth about its waist. "I sell meat," it said. "Very fine roast lamb, only five drachmas."
Phillips indicated the piece he was eating. "I already have some," he said.
"It is excellent meat, very tender. It has been soaked for three days in the juices of—"
"Please," Phillips said. "I don't want to buy any meat. Do you mind moving along?"
The temporaries had confused and baffled him at first, and there was still much about them that was unclear to him. They were not machines—they looked like creatures of flesh and blood—but they did not seem to be human beings, either, and no one treated them as if they were. He supposed they were artificial constructs, products of a technology so consummate that it was invisible. Some appeared to be more intelligent than others, but all of them behaved as if they had no more autonomy than characters in a play, which was essentially what they were. There were untold numbers of them in each of the five cities, playing all manner of roles: shepherds and swineherds, street-sweepers, merchants, boatmen, vendors of grilled meats and cool drinks, hagglers in the marketplace, schoolchildren, charioteers, policemen, grooms, gladiators, monks, artisans, whores and cutpurses, sailors—whatever was needed to sustain the illusion of a thriving, populous urban center. The darkeyed people, Gioia's people, never performed work. There were not enough of them to keep a city's functions going, and in any case they were strictly tourists, wandering with the wind, moving from city to city as the whim took them, Chang-an to New Chicago, New Chicago to Timbuctoo, Timbuctoo to Asgard, Asgard to Alexandria, onward, ever onward.
The temporary would not leave him alone. Phillips walked away and it followed him, cornering him against the balcony wall. When Gioia returned a few minutes later, lips prettily stained with pomegranate juice, the temporary was still hovering about him, trying with lunatic persistence to sell him a skewer of lamb. It stood much too close to him, almost nose to nose, great sad cowlike eyes peering intently into his as it extolled with mournful mooing urgency the quality of its wares. It seemed to him that he had had trouble like this with temporaries on one or two earlier occasions. Gioia touched the creature's elbow lightly and said, in a short sharp tone Phillips had never heard her use before, "He isn't interested. Get away from him." It went at once. To Phillips she said, "You have to be firm with them."
"I was trying. It wouldn't listen to me."
"You ordered it to go away, and it refused?"
"I asked it to go away. Politely. Too politely, maybe."
"Even so," she said. "It should have obeyed a human, regardless."
"Maybe it didn't think I was human," Phillips suggested. "Because of the way I look. My height, the color of my eyes. It might have thought I was some kind of temporary myself."
"No," Gioia said, frowning. "A temporary won't solicit another temporary. But it won't ever disobey a citizen, either. There's a very clear boundary. There isn't ever any confusion. I can't understand why it went on bothering you." He was surprised at how troubled she seemed: far more so, he thought, than the incident warranted. A stupid device, perhaps miscalibrated in some way, over-enthusiastically pushing its wares—what of it? What of it? Gioia, after a moment, appeared to come to the same conclusion. Shrugging, she said, "It's defective, I suppose. Probably such things are more common than we suspect, don't you think?" There was something forced about her tone that bothered him. She smiled and handed him her pomegranate. "Here. Have a bite, Charles. It's wonderfully sweet. They used to be extinct, you know. Shall we go on upward?"
The octagonal midsection of the Lighthouse must have been several hundred feet in height, a grim claustrophobic tube almost entirely filled by the two broad spiraling ramps that wound around the huge building's central well. The ascent was slow: a donkey team was a little way ahead of them on the ramp, plodding along laden with bundles of kindling for the lantern. But at last, just as Phillips was growing winded and dizzy, he and Gioia came out onto the second balcony, the one marking the transition between the octagonal section and the Lighthouse's uppermost story, which was cylindrical and very slender.
She leaned far out over the balustrade. "Oh, Charles, look at the view! Look at it!"
It was amazing. From one side they could see the entire city, and swampy Lake Mareotis and the dusty Egyptian plain beyond it, and from the other they peered far out into the gray and choppy Mediterranean. He gestured toward the innumerable reefs and shallows that infested the waters leading to the harbor entrance. "No wonder they needed a lighthouse here," he said. "Without some kind of gigantic landmark they'd never have found their way in from the open sea."
A blast of sound, a ferocious snort, erupted just above him. He looked up, startled. Immense statues of trumpet-wielding Tritons jutted from the corners of the Lighthouse at this level; that great blurting sound had come from the nearest of them. A signal, he thought. A warning to the ships negotiating that troubled passage. The sound was produced by some kind of steam-powered mechanism, he realized, operated by teams of sweating temporaries clustered about bonfires at the base of each Triton.
Once again he found himself swept by admiration for the clever way these people carried out their reproductions of antiquity. Or were they reproductions, he wondered? He still did not understand how they brought their cities into being. For all he knew, this place was the authentic Alexandria itself, pulled forward out of its proper time just as he himself had been. Perhaps this was the true and original Lighthouse, and not a copy. He had no idea which was the case, nor which would be the greater miracle.
"How do we get to the top?" Gioia asked.
"Over there, I think. That doorway."
The spiraling donkey-ramps ended here. The loads of lantern fuel went higher via a dumbwaiter in the central shaft. Visitors continued by way of a cramped staircase, so narrow at its upper end that it was impossible to turn around while climbing. Gioia, tireless, sprinted ahead. He clung to the rail and labored up and up, keeping count of the tiny window slits to ease the boredom of the ascent. The count was nearing a hundred when finally he stumbled into the vestibule of the beacon chamber. A dozen or so visitors were crowded into it. Gioia was at the far side, by the wall that was open to the sea.
It seemed to him he could feel the building swaying in the winds up here. How high were they? Five hundred feet, six hundred, seven? The beacon chamber was tall and narrow, divided by a catwalk into upper and lower sections. Down below, relays of temporaries carried wood from the dumbwaiter and tossed it on the blazing fire. He felt its intense heat from where he stood, at the rim of the platform on which the giant mirror of polished metal was hung. Tongues of flame leaped upward and danced before the mirror, which hurled its dazzling beam far out to sea. Smoke rose through a vent. At the very top was a colossal statue of Poseidon, austere, ferocious, looming above the lantern.
Gioia sidled along the catwalk until she was at his side. "The guide was talking before you came," she said, pointing. "Do you see that place over there, under the mirror? Someone standing there and looking into the mirror gets a view of ships at sea that can't be seen from here by the naked eye. The mirror magnifies things."
"Do you believe that?"
She nodded toward the guide. "It said so. And it also told us that if you look in a certain way, you can see right across the water into the city of Constantinople."
She is like a child, he thought. They all are. He said, "You told me yourself this very morning that it isn't possible to see that far. Besides, Constantinople doesn't exist right now."
"It will," she replied. "You said that to me, this very morning. And when it does, it'll be reflected in the Lighthouse mirror. That's the truth. I'm absolutely certain of it." She swung about abruptly toward the entrance of the beacon chamber. "Oh, look, Charles! Here come Nissandra and Aramayne! And there's Hawk! There's Stengard!" Gioia laughed and waved and called out names. "Oh, everyone's here! Everyone!"
They came jostling into the room, so many newcomers that some of those who had been there were forced to scramble down the steps on the far side. Gioia moved among them, hugging, kissing. Phillips could scarcely tell one from another—it was hard for him even to tell which were the men and which the women, dressed as they all were in the same sort of loose robes—but he recognized some of the names. These were her special friends, her set, with whom she had journeyed from city to city on an endless round of gaiety in the old days before he had come into her life. He had met a few of them before, in Asgard, in Rio, in Rome. The beacon-chamber guide, a squat wide-shouldered old temporary wearing a laurel wreath on its bald head, reappeared and began its potted speech, but no one listened to it; they were all too busy greeting one another, embracing, giggling. Some of them edged their way over to Phillips and reached up, standing on tiptoes, to touch their fingertips to his cheek in that odd hello of theirs. "Charles," they said gravely, making two syllables out of the name, as these people often did. "So good to see you again. Such a pleasure. You and Gioia—such a handsome couple. So well suited to each other."
Was that so? He supposed it was.
The chamber hummed with chatter. The guide could not be heard at all. Stengard and Nissandra had visited New Chicago for the water-dancing—Aramayne bore tales of a feast in Chang-an that had gone on for days—Hawk and Hekna had been to Timbuctoo to see the arrival of the salt caravan, and were going back there soon—a final party soon to celebrate the end of Asgard that absolutely should not be missed—the plans for the new city, Mohenjo-daro—we have reservations for the opening, we wouldn't pass it up for anything—and, yes, they were definitely going to do Constantinople after that, the planners were already deep into their Byzantium research—so good to see you, you look so beautiful all the time—have you been to the Library yet? The zoo? To the temple of Serapis?—
To Phillips they said, "What do you think of our Alexandria, Charles? Of course, you must have known it well in your day. Does it look the way you remember it?" They were always asking things like that. They did not seem to comprehend that the Alexandria of the Lighthouse and the Library was long lost and legendary by the time his twentieth century had been. To them, he suspected, all the places they had brought back into existence were more or less contemporary. Rome of the Caesars, Alexandria of the Ptolemies, Venice of the Doges, Chang-an of the T'angs, Asgard of the Aesir, none any less real than the next nor any less unreal, each one simply a facet of the distant past, the fantastic immemorial past, a plum plucked from that dark backward abysm of time. They had no contexts for separating one era from another. To them all the past was one borderless timeless realm. Why, then, should he not have seen the Lighthouse before, he who had leaped into this era from the New York of 1984? He had never been able to explain it to them. Julius Caesar and Hannibal, Helen of Troy and Charlemagne, Rome of the gladiators and New York of the Yankees and Mets, Gilgamesh and Tristan and Othello and Robin Hood and George Washington and Queen Victoria—to them, all equally real and unreal, none of them any more than bright figures moving about on a painted canvas. The past, the past, the elusive and fluid past—to them it was a single place of infinite accessibility and infinite connectivity. Of course, they would think he had seen the Lighthouse before. He knew better than to try again to explain things. "No," he said simply. "This is my first time in Alexandria."
They stayed there all winter long, and possibly some of the spring. Alexandria was not a place where one was sharply aware of the change of seasons, nor did the passage of time itself make itself very evident when one was living one's entire life as a tourist.
During the day there was always something new to see. The zoological garden, for instance: a wondrous park, miraculously green and lush in this hot dry climate, where astounding animals roamed in enclosures so generous that they did not seem like enclosures at all. Here were camels, rhinoceroses, gazelles, ostriches, lions, wild asses; and here, too, casually adjacent to those familiar African beasts, were hippogriffs, unicorns, basilisks, and fire-snorting dragons with rainbow scales. Had the original zoo of Alexandria had dragons and unicorns? Phillips doubted it. But this one did; evidently it was no harder for the backstage craftsmen to manufacture mythic beasts than it was for them to turn out camels and gazelles. To Gioia and her friends all of them were equally mythical, anyway. They were just as awed by the rhinoceros as by the hippogriff. One was no more strange—or any less—than the other. So far as Phillips had been able to discover, none of the mammals or birds of his era had survived into this one except for a few cats and dogs, though many had been reconstructed.
And then the Library! All those lost treasures, reclaimed from the jaws of time! Stupendous columned marble walls, airy high-vaulted reading rooms, dark coiling stacks stretching away to infinity. The ivory handles of seven hundred thousand papyrus scrolls bristling on the shelves. Scholars and librarians gliding quietly about, smiling faint scholarly smiles but plainly preoccupied with serious matters of the mind. They were all temporaries, Phillips realized. Mere props, part of the illusion. But were the scrolls illusions, too? "Here we have the complete dramas of Sophocles," said the guide with a blithe wave of its hand, indicating shelf upon shelf of texts. Only seven of his hundred twenty-three plays had survived the successive burnings of the library in ancient times by Romans, Christians, Arabs: were the lost ones here, the Triptolemus, the Nausicaa, the Jason, and all the rest? And would he find here, too, miraculously restored to being, the other vanished treasures of ancient literature—the memoirs of Odysseus, Cato's history of Rome, Thucidydes' life of Pericles, the missing volumes of Livy? But when he asked if he might explore the stacks, the guide smiled apologetically and said that all the librarians were busy just now. Another time, perhaps? Perhaps, said the guide. It made no difference, Phillips decided. Even if these people somehow had brought back those lost masterpieces of antiquity, how would he read them? He knew no Greek.
The life of the city buzzed and throbbed about him. It was a dazzlingly beautiful place: the vast bay thick with sails, the great avenues running rigidly east-west, north-south, the sunlight rebounding almost audibly from the bright walls of the palaces of kings and gods. They have done this very well, Phillips thought: very well indeed. In the marketplace hard-eyed traders squabbled in half a dozen mysterious languages over the price of ebony, Arabian incense, jade, panther skins. Gioia bought a dram of pale musky Egyptian perfume in a delicate tapering glass flask. Magicians and jugglers and scribes called out stridently to passersby, begging for a few moments of attention and a handful of coins for their labor. Strapping slaves, black and tawny and some that might have been Chinese, were put up for auction, made to flex their muscles, to bare their teeth, to bare their breasts and thighs to prospective buyers. In the gymnasium naked athletes hurled javelins and discuses, and wrestled with terrifying zeal. Gioia's friend Stengard came rushing up with a gift for her, a golden necklace that would not have embarrassed Cleopatra. An hour later she had lost it, or perhaps had given it away while Phillips was looking elsewhere. She bought another, even finer, the next day. Anyone could have all the money he wanted, simply by asking: it was as easy to come by as air for these people.
Being here was much like going to the movies, Phillips told himself. A different show every day: not much plot, but the special effects were magnificent and the detail work could hardly have been surpassed. A megamovie, a vast entertainment that went on all the time and was being played out by the whole population of Earth. And it was all so effortless, so spontaneous: just as when he had gone to a movie he had never troubled to think about the myriad technicians behind the scenes, the cameramen and the costume designers and the set builders and the electricians and the model makers and the boom operators, so, too, here he chose not to question the means by which Alexandria had been set before him. It felt real. It was real. When he drank the strong red wine it gave him a pleasant buzz. If he leaped from the beacon chamber of the Lighthouse he suspected he would die, though perhaps he would not stay dead for long: doubtless they had some way of restoring him as often as was necessary. Death did not seem to be a factor in these people's lives.