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I WAS WORKING AT Jennings-Tremont Enterprises (JTE) when Ana Fried and, I suppose, the rest of us, quite by accident, happened upon the most important discovery in the history of this world, or the next.
JTE’s primary work was developing advanced animatronic editing techniques for film. It was our job, or at least the job of the scientists and programmers, to develop animation tools that would create high-end movies indistinguishable from live action.
Joseph Jennings’s childhood dream was to make new movies with old-time stars. He wanted Humphrey Bogart and