OVERRIDE

Love Goes to Buildings on Fire

Five Years in New York That Changed Music Forever

Will Hermes

Faber & Faber

Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.

Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes and the phenomenal and surprising ways they intersected. From New Year’s Day 1973 to New Year’s Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the Lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGBs and The Gallery, where rock and dance music were hot-wired for a new generation. As they remade the music, the musicians at the center of the book invented themselves: Willie Colón and the Fania All-Stars renting Yankee Stadium to take salsa to the masses, New Jersey locals Bruce Springsteen and Patti Smith claiming the jungleland of Manhattan as their own, Grandmaster Flash transforming the turntable into a musical instrument, David Byrne and Talking Heads proving that rock music “ain’t no foolin’ around.” Will Hermes was there—venturing from his native Queens to the small dark rooms where the revolution was taking place—and in Love Goes to Buildings on Fire he captures the creativity, drive, and full-out lust for life of the great New York musicians of those years, who knew that the music they were making would change the world.  

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Love Goes to Buildings on Fire
1973WILD SIDE WALKINGThis is the era where everybody creates.--Patti Smith1 
 
An hour after midnight on January 1, 1973, Ernie Brooks was barreling down I-95 toward the city in his mother's Volvo. His band, the Modern Lovers, had been booked for a New Year's Eve show at the Mercer Arts Center. The New York Dolls were headlining. But his van died outside New Haven. So he hitched to his parents' house in New Canaan, got the family car, drove back to the van, jammed guitars and microphones into the Volvo, and drove like hell.The Mercer was packed
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REVIEWS

Praise for Love Goes to Buildings on Fire

“Practically every paragraph about music here is also about something else just as fascinating—race, city planning, ambition, drugs, hair-dos. Braiding intricate research with his own teenage memories, Hermes has a bird’s eye view of a great city, and has his ear to the ground.”  —Sarah Vowell

“By simply putting things in chronological order, Will Hermes shows just how astonishing New York City’s music was in the 1970s. But he does more than that: he brings depth and discernment and an eye for odd detail, making his book an essential work of cultural history.” —Luc Sante

Love Goes to Buildings on Fire is an almost perfect portrait of New York music culture: specific yet comprehensive, enthusiastic yet objective, and as informed as it is personal. The four-page section of what (seemingly) every interesting person in NYC was doing on the night of the ‘77 blackout could have been a book unto itself.” —Chuck Klosterman

“A must-read for any music lover, Love Goes to Buildings on Fire will no doubt inspire nostalgia in readers who lived through the era, and make those who didn’t wish they had.” —Liz Raftery, The Boston Globe

“Will Hermes grew up in Queens, but Love Goes to Buildings on Fire, his new book on New York’s 1970s music scene, is no nostalgia jag—it’s a detailed time-machine trip that zooms in on everyone from the New York Dolls to Steve Reich.” Rolling Stone

“Meticulously researched and engaging.” —Eric Been, The Wall Street Journal

“I thought there was nothing left to say about the seventies NYC music scene, but Hermes puts it all together—punk, salsa, jazz, hip-hop, disco—into a portrait of a city in ferment, with new bubbles of innovation popping up all over.” —Dan Kois, Vulture Recommends (New York magazine)

“Revelatory.” —Entertainment Weekly (Grade: A)

“There’s no mistaking that this book will have a special appeal for people who were exposed to this music when it was developing—mostly those living in New York in the mid-70s—but Hermes does what a good writer does. He makes the rest of us (this writer included) wish we’d been there.” —Georgia Young, Paste

“[Hermes] does an expert turn here in his book about the music scene in 1970s New York, moving between musical genres and the human worlds they contained with the light-headed excitement of a bright grad student who’s transferring from one subway line to another.” —Emily Carter, Minneapolis Star-Tribune

“[A] breathtaking, panoramic portrait of five years . . . that music in New York City was alive, flourishing, and kicking out the jams.” —Publishers Weekly (starred review)
 
“Hermes moves effortlessly back and forth between the various musical genres while interspersing stories of New York at a time when the city was on the verge of financial ruin and moral collapse.” —Booklist (starred review)

“Practically every paragraph about music here is also about something else just as fascinating—race, city planning, ambition, drugs, hair-dos. Braiding intricate research with his own teenage memories, Hermes has a bird’s eye view of a great city, and has his ear to the ground.”  —Sarah Vowell

“By simply putting things in chronological order, Will Hermes shows just how astonishing New York City’s music was in the 1970s. But he does more than that: he brings depth and discernment and an eye for odd detail, making his book an essential work of cultural history.” —Luc Sante

Love Goes to Buildings on Fire is an almost perfect portrait of New York music culture: specific yet comprehensive, enthusiastic yet objective, and as informed as it is personal. The four-page section of what (seemingly) every interesting person in NYC was doing on the night of the ‘77 blackout could have been a book unto itself.” —Chuck Klosterman

“A must-read for any music lover, Love Goes to Buildings on Fire will no doubt inspire nostalgia in readers who lived through the era, and make those who didn’t wish they had.” —Liz Raftery, The Boston Globe

“Will Hermes grew up in Queens, but Love Goes to Buildings on Fire, his new book on New York’s 1970s music scene, is no nostalgia jag—it’s a detailed time-machine trip that zooms in on everyone from the New York Dolls to Steve Reich.” Rolling Stone

“Meticulously researched and engaging.” —Eric Been, The Wall Street Journal

“I thought there was nothing left to say about the seventies NYC music scene, but Hermes puts it all together—punk, salsa, jazz, hip-hop, disco—into a portrait of a city in ferment, with new bubbles of innovation popping up all over.” —Dan Kois, Vulture Recommends (New York magazine)

“Revelatory.” —Entertainment Weekly (Grade: A)

“There’s no mistaking that this book will have a special appeal for people who were exposed to this music when it was developing—mostly those living in New York in the mid-70s—but Hermes does what a good writer does. He makes the rest of us (this writer included) wish we’d been there.” —Georgia Young, Paste

“[Hermes] does an expert turn here in his book about the music scene in 1970s New York, moving between musical genres and the human worlds they contained with the light-headed excitement of a bright grad student who’s transferring from one subway line to another.” —Emily Carter, Minneapolis Star-Tribune

“[A] breathtaking, panoramic portrait of five years . . . that music in New York City was alive, flourishing, and kicking out the jams.” —Publishers Weekly (starred review)
 
“Hermes moves effortlessly back and forth between the various musical genres while interspersing stories of New York at a time when the city was on the verge of financial ruin and moral collapse.” —Booklist (starred review)

In the Press

Book review: 'Love Goes to Buildings on Fire' by Will Hermes - latimes.com
Music exploded in New York in the 1970s. Will Hermes, in 'Love Goes to Buildings on Fire,' chronicles such artists as Patti Smith, the Ramones, Bruce Springsteen, Philip Glass and Steve Reich.
- Los Angeles Times
Love Goes to Buildings on Fire
The Bronx may have been burning, but downtown Manhattan's mid-'70s music scene was even hotter.
- The New York Times
LOVE GOES TO BUILDINGS ON FIRE by Will HermesKirkus Book Reviews
Read the Kirkus Review of LOVE GOES TO BUILDINGS ON FIRE Music Made in New York City in the '70s. Readers may assume that a book whose title riffs on a Talking Heads deep cut would be pretty cool; they would be right.
- Kirkus Reviews
'Love Goes to Buildings on Fire,' by Will Hermes
Love Goes to Buildings on Fire Five Years in New York That Changed Music Forever By Will Hermes (Faber and Faber; 368 pages; $30) As a writer for Rolling Stone and cultural commenter on NPR, Will Hermes has always been...
- San Francisco Chronicle
Must-Read Books by Will Hermes, Lydia Millet, and Stuart Nadler - The Daily Beast
This week: The legends that made New York music, a book of short stories that capture nothing less than life, and a man heads south in Lydia Millet’s novel.
- The Daily Beast
When the '70s took Manhattan - Nonfiction - Salon.com
A new book explores how the New York music scene exploded from 1973 to 1977
- Salon
Book Review: Love Goes to Buildings on Fire - WSJ.com
Eric Been reviews Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever by Will Hermes.
- The Wall Street Journal
NONFICTION REVIEW: ""Love Goes to Buildings on Fire"" | StarTribune.com
David Dinkins may have been hyperbolizing in the early '90s, but in 1973 New York City really was a gorgeous mosaic
- Minneapolis Star-Tribune
New music books, including one on John Lennon, riff on glory days of Rock & Roll, grunge and gossip - NY Daily News
Lately it seems musicians have spent as much time in well-lit bookstores as they have on darkened concert stages. Last fall, Keith Richards’ autobiography “Life” became a best seller — a relief to its publisher, Little, Brown, which had laid out a $7 million advance.
- New York Daily News
The Ramones to Philip Glass, NYC '70s music scene - Yahoo! News
From Yahoo! News: "Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever" (Faber and Faber), by Will Hermes: New York City might have been dead broke, crime-ridden and garbage-infested in the 1970s, but the music sure was great.
- Associated Press
'Love Goes to Buildings on Fire,' by Will Hermes - Review - NYTimes.com
In "Loves Goes to Buildings on Fire" Will Hermes has isolated the years 1973 to 1977 as a crucial, if sometimes awkward, period of transition in New York and in American music.
- The New York Times

Reviews from Goodreads

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ABOUT THE AUTHOR

  • Will Hermes

  • Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s “All Things Considered.” His work also appears in The New York Times, the Village Voice, and elsewhere. He was co-editor of SPIN: 20 Years of Alternative Music (2005).

  • Will Hermes Adam Weiss
    Will Hermes
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    Love Goes to Buildings on Fire

    Five Years in New York That Changed Music Forever

    Will Hermes

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