“Kate Shackleton joins Jacqueline Winspear's Maisie Dobbs…. They make excellent heroines.” —Literary Review on the Kate Shackleton Mysteries

“Frances Brody succeeds brilliantly. . . Her post-war world in which making any sort of living is hard grind and where an independent career woman is viewed with hostility is entirely convincing. Kate is a heroine to like and admire. . . Her further adventures are eagerly awaited.” —The Daily Mail on Murder in the Afternoon

“Brody again displays her prodigious talent for misdirection, tempered by her fair play with clues that render the possibility that the reader will not be fooled. But don't bet on it.... Steeped in period color, A Medal for Murder again showcases a winning heroine and a clever plot, a combination reminiscent of the genre's golden age but one made fresh and gripping by an author who melds murder with mercy.” —Richmond Times-Dispatch on A Medal for Murder

“Brody's excellent second offers a morally conflicted sleuth, historically detailed flashbacks to the Boer War and a clever mystery indeed.” —Kirkus on A Medal for Murder

“This lusciously written historical cozy is an excellent addition to the crowded 1920s market, and Brody's second series entry (after Dying in the Wool) positions her for deserved attention. Her gentle and traditional structure (noteworthy use of flashbacks) pairs nicely with Kerry Greenwood (see review above) and Jacqueline Winspear titles.” —Library Journal on A Medal for Murder

“The traditional British mystery is alive and well, thanks in part to Frances Brody and her lady detective, Kate Shackleton… Kate is very adept at sizing people up and maximizing the information that she can get from them…I especially liked the number of curves the author threw in toward the end of the novel.” —Mystery Scene on A Medal for Murder

“Detective Kate Shackleton solves her second murder mystery in this fun, well-plotted mystery set in 1920s Harrogate… Brody presents us with a mystery full of lively characters and significant stories of both past and present. Brody's mystery is expertly crafted and keeps the reader guessing right up until the last pages, as a good mystery should.” —HistoricalNovelSociety.org on A Medal for Murder

“More twists and turns than a country road. I hope that Ms. Brody writes more of these novels because I thoroughly enjoyed this one… I just had to keep reading so that I could try to figure out who the murderer was. I never knew until the last page and then I still wondered if they caught the real murderer.” —NightOwlReviews.com on A Medal for Murder

“These gentle crime novels, that have you guessing at every turn… are a pure joy. Refreshing and highly entertaining, especially for the winter nights.” —Yorkshire Gazette and Herald on A Medal for Murder

“A Medal for Murder contains all the elements of crime fiction - theft, kidnap, murder, a feisty private detective, a handsome Detective Inspector, a (sometimes) dour sidekick, plenty of suspects and all the twists and turns we expect from our genre.... A work of extraordinary depth, lightness of touch and strength of characterisation.” —Mystery Women on A Medal for Murder

“[Kate Shackleton's] lively wit and intuitive abilities serve her well as she steps into the limelight of this drama filled with theft, deception, assumed identities, faked kidnapping, blackmail, and murder-- a veritable theatrical trunk full of mystery-plot props. The author's period details-- including some flashbacks to the Boer War, involving incidents vital to the present-day plot-- add further historical flavor and thoroughly enhance Brody's show.” —bookreviewsbydavidmarshalljames.blogspot.com on A Medal for Murder

“The setting of A Medal for Murder is England in the 1920s, an idyllic time for crime solving. The right mix of mobility (motor cars) and technology (telephone and telegraph) keeps the story moving along at a pleasant place… The story line is enhanced by quips, fashion and social commentary and generally charming banter among the characters.” —josephsreviews.wordpress.com on A Medal for Murder

“The first in a planned series introduces a refreshingly complex heroine and adds a fine feeling for the postwar period.” —Kirkus on Dying in the Wool

“Brody, who has written historical fiction, presents a carefully researched setting, with accurate references to the popular culture of the day and clear explanations of the dyeing and weaving processes at the mill.” —Booklist on Dying in the Wool

“Excellent.... Ms. Brody does an excellent job of keeping the reader on the edge of their seat. DYING IN THE WOOL has a lot of unanticipated twists and turns. I was completely surprised at the end!” —historyundressed.blogspot.com on Dying in the Wool

“Dying in the Wool has a winning heroine, a fresh and fascinating setting, richly detailed and well-woven into the plot, and a mystery that twists and tightens and twists again, before pulling together to a surprising and satisfying solution.” —Catriona McPherson, author of Dandy Gilver and the Proper Treatment of Bloodstains, on Dying in the Wool

“Reminiscent of Dorothy L. Sayers and Agatha Christie with a thoroughly likeable protagonist and a plot that held me to the end.” —Mignon F. Ballard, author of the Miss Dimple Kilpatrick Mystery Series, on Dying in the Wool

“Brody's winning tale of textile industry shenanigans is shot through with local color.” —The Independent (UK) on Dying in the Wool

“Highly entertaining… Frances Brody writes with charm and yet knows how to keep the reader guessing at every stage of the book. If you like pure detective novels you will love this.” —Gazette & Herald (UK) on Dying in the Wool

“The story, with its secure setting in the richly-detailed woollen industry, is an excellent read. The characterization is strong and convincing and the sense of period well conveyed.” —Mystery Women on Dying in the Wool

“The background detail of milling and dyeing is spot on … as is her ear for the West Riding accent and dialect. The plot twists nicely and the denouement was, to me, unexpected.” —Country Life on Dying in the Wool

“This is whimsical, colorful stuff and readers will warm to the entrepreneurial yet fragile Kate.” —Take a Break on Dying in the Wool

“Kate Shackleton is a delightful leading character. The flavor of First World War England is beautifully portrayed. The world of the mill and the mill owner has gone, but in this book it is easy to image what it must have been like.” —CrimeSquad.com on Dying in the Wool

“Dying in the Wool is a delightful book... the descriptive detail of the countryside and small village of Bridgestead is so vivid I could literally have been there. Kate Shackleton is a wonderful character and I connected with her immediately.” —BookChickCity.com on Dying in the Wool

“The 1920s are a fascinating and under-used period for new crime fiction, so it's a particular pleasure to have Frances setting her story at that time. Kate Shackleton is a splendid heroine … I'm looking forward to the next book in the series!” —Ann Granger on Dying in the Wool