A Little Bit of This, A Little Bit of That
Glenn Beck was welling up as he neared the conclusion of his Restoring Courage rally in Jerusalem in August 2011. The conservative, conspiracy-mongering talk show host choked back tears as he bade his audience farewell. As he left the stage, exit music swelled: “Sabbath Prayer” from Fiddler on the Roof.
A few weeks later, Occupy Judaism was planning an outdoor radical Yom Kippur service as an extension of the demonstrations taking place in Lower Manhattan that fall. To get the word out, one of the organizers
Alisa Solomon discusses 'Wonder of Wonders: A Cultural History of Fiddler on the Roof' on WNYC's Soundcheck.
“As rich and dense as a chocolate babka—so crammed with tasty layers that you have to pace yourself....As brilliant a piece of reporting as I’ve read this year.”—The New York Times Book Review
“An intellectually serious, playful, and insightful account of popular art’s power to shape memory and transmute history into universal myth, Wonder of Wonders is a soul-stirring joy to read....The richest, deepest, most far-ranging, and delightfully surprising book about a single work of theatrical art I’ve ever encountered.”—Tony Kushner, author of Angels in America
“A riveting tale...A smart, thorough, and engaging history that puts Fiddler in the context of twentieth-century Jewishness, American theatre history, Broadway musicals, and transnational theatre productions, but is also a love letter to the miracle of co-creation and how popular culture first relays culture and later shapes it.”—Theatre Journal
“Fascinating....Tasty and provocative.”—Playbill
“Exuberant.”—The Wall Street Journal
“Exemplary critical history.”—The Washington Post
“Glorious...A thrilling, must-read book...In more than thirty years of reading, writing and thinking about theater as an actor, critic and fan, I've never read a book on the subject that taught or moved me as much – reflecting Solomon’s ability to weave gobs of meticulous research into a compelling, beautifully written story.”—Milwaukee Journal Sentinel
“I expected that this book would revive many treasured memories, which it certainly did. What I didn’t expect to find was the fascinating history of Sholem-Aleichem’s Tevye’s Daughters or the riveting and unexpectedly moving account of Fiddler’s fortunes after the end of the musical’s Broadway run. I have always been proud of Fiddler, but never more so than after reading this astonishing book.”—Sheldon Harnick, lyricist, Fiddler on the Roof
“Alisa Solomon was put on earth to write this exceptional and essential book. A world-class theater critic, a learned Yiddishist, a trenchant journalist, and just a plain wonderful writer, she has brought all her skills to bear in tracing the history of the Tevye stories that became Fiddler on the Roof. The Broadway musical, in her hands, becomes a Rosetta Stone for understanding the Jewish journey.”—Samuel G. Freedman, author of Jew vs. Jew: The Struggle for the Soul of American Jewry
“Wonder of Wonders is a wonder! Alisa Solomon explains in vivid detail how and why Fiddler on the Roof became iconic as both authentically Jewish and universally relevant. A fantastic storyteller, an astute cultural interpreter, and a superb critic, Solomon offers an elegantly crafted, moving, thoughtful, and entertaining account of Fiddler’s journeys across time and place. This is the story of Fiddler for the ages.”—Stacy Wolf, author of Changed for Good: A Feminist History of the Broadway Musical
“If you think you have seen Fiddler on the Roof, think again. The wonder of it all is the magic that transformed stories by Sholem-Aleichem into a near universal icon of enduring power. How that happened, the multifarious forms and meanings of Fiddler on the Roof, is the subject of Alisa Solomon’s meticulously researched and beautifully written book.”—Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage
“Wonder of Wonders combines probing theater history with incisive cultural studies and a compelling narrative. From Sholem-Aleichem’s Tevye stories to the triumphant Broadway musical, from politically charged productions in Brooklyn, Tel Aviv, and Kraków to the sanctification of Fiddler numbers in Jewish ritual, Alisa Solomon traces the transformation of Fiddler into a cultural phenomenon that has powerfully spoken for American Jews as well as so many others around the world.”—Jeffrey Shandler, author of Shtetl: A Vernacular Intellectual History