Acclaimed as a “gifted, courageous writer”(The New York Times), Chris Adrian brings all his extraordinary talents to bear in The Great Night—a brilliant and mesmerizing retelling of Shakespeare’s “A Midsummer Night’s Dream.”
On Midsummer Eve 2008, three people, each on the run from a failed relationship, become trapped in San Francisco’s Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage, which broke up in the wake of the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues will threaten the lives of immortals and mortals alike.
Selected by The New Yorker as one the best young writers in America, Adrian has created a singularly playful, heartbreaking, and humorous novel—a story that charts the borders between reality and dreams, love and magic, and mortality and immortality.
“A wild ride—I found [The Great Night] almost viscerally thrilling, especially the experience of moving through [Adrian’s] prose as it crackles and purrs . . . the most brilliant and profound reimagining in Adrian’s vision isn’t the way he magics the humans but the way he humanifies Shakespeare’s fairies . . . Reading The Great Night was an extraordinary experience. When I finished it, I started it over again.”—Alexandra Mullen, The Barnes and Noble Review
“Adrian has demonstrated a vast imagination in his earlier books, particularly The Children’s Hospital, a tale of doctors and patients and angels (yes, angels) in a post-apocalyptic hospital that has become the world’s new ark. He is a fellow in pediatric hematology-oncology and a graduate student at Harvard Divinity School, and his work indeed suggests a profound interest in where life meets death and how we make sense of that great undiscovered country . . . The Great Night is no exception . . . Adrian once again left me feeling both meditative and moved.”—Chris Bohjalian, The Boston Globe
“Himself a pediatric oncologist, Adrian has always written with depth and compassion about grief, but I can’t recall anything in his two prior novels or collection of stories that matches that chapters in [The Great Night] describing what it’s like to be a mother experiencing the loss of a child . . . Rather than Pyramus and Thisbe, we’re treated to a musical version of “Soylent Green,” the 1973 dystopian thriller starring Charlton Heston, in which there isn’t enough to eat, and the Soylent Corp. makes its money by secretly turning people into food. The humor is—well—delicious. But it also makes a joyous, life-affirming point, echoing Shakespeare’s own insistence that lovers must eventually return to everyday life in Athens.”—Mike Fischer, The Milwaukee Journal-Sentinel