"LaSalle's marvelous Complicated Women is the best kind of film book, making us see with fresh eyes the women of pre-Code Hollywood, a truly revolutionary lot by any standards. LaSalle wittily and insightfully celebrates the multiform 'New Woman' of the late '20s and early '30s. The author does a persuasive job of reminding us of the contribution of lesser-known stars while rescuing the much-maligned Norma Shearer from her gilded cage as MGM's plastic princess and restoring her to her rightful place as a breathtakingly risky (and risqué) sensualist with plenty of career savvy. Bravo!"—Molly Haskell, author of From Reverence to Rape: The Treatment of Women in the Movies

"Mick LaSalle's Complicated Women isn't just a great title for life, it's an eye-opening examination of pre-Code Hollywood that retrieves lost films and overlooked careers. It's also a delight to read and argue with."—David Thompson, author of Beneath Mulholland and Rosebud

"Mick LaSalle is a guy who really knows his stuff. He's actually seen everything he writes about, evoking a whole era of forgotten movies in a refreshing style that's not just a series of rehashed plots, but a witty, insightful joyride without an ounce of pomposity or patronizing, while at the same time providing the unsuspecting viewer with a fun guide on how to 'read' pre-Code movies."—Bruce Goldstein, Director of Repertory Programming, Film Forum, New York

"Mick LaSalle's Complicated Women is a revelation: He takes us back, with wit, passion, and intelligence, to those brief shining years of the early 1930s when Hollywood women movie stars like Norma Shearer could be erotic, funny, and independent—with no hell to pay."—Kate Buford, author of Burt Lancaster: An American Life

"Sophisticated and provocative."—Entertainment Weekly

"An overdue examination of a historic conflict between Hollywood and would-be monitors of morality."—New York Times Book Review

"In prose as snappy and sassy as the movies he describes, LaSalle restores to their rightful stature smart, sexy actresses like Ann Dvorak . . . and especially Norma Shearer."—Elle