1 THE EARTH SHAKER THE ROOM WAS SHAKING
and I thought I knew what it was because I had been born and raised in a city built on fault lines. Everyone was always dreading something like this. But we never imagined it would be of such force and magnitude.
I called to Venice, the most beautiful, smartest, sweetest (and he would want me to add most athletic) boy in the world, “I’m coming! Are you okay?”
I imagined his body lying under boards and glass, pinned down, but when I got to him he was just huddled in the bed in the room papered with maps of the world, wearing the baseball cap he insisted on sleeping in (in spite of the stiff bill), trembling so hard I could barely gather him up in my arms. My dad came in and took him from me—my brother’s legs in too short pajama pants dangling down, his face buried in my dad’s neck as Venice cried for his fallen cap—and I got our dog, Argos, and we all ran downstairs. My mom was there, crying, and she grabbed me and I could feel her heart like a frantic butterfly through her white cotton nightgown. We ran out into the yard. The sky looked black and dead without the streetlight or the blue Christmas lights that decked our house. I could hear the ocean crashing, too close, too close. The world sliding away from us.
The tall acacia tree in the yard creaked and moaned, and then my ears rang with the silence before danger. My dad pulled us back as we watched the tree crash to the ground in a shudder of leaves and branches. My tree, the one I had strung with gold fairy lights, the one that shaded parties made for teddy bears and dolls, the tree in whose pink-blossomed branches Dad had built a wooden platform house with a rope ladder. That was where I went to read art history books and mythology, and to escape the world that now I only wanted to save.
I was holding Argos and he wriggled free and jumped down and ran away from me, toward our big pink house overgrown with morning glory vines and electric wires strung with glass bulbs. I screamed for him and my mom tried to hold me back but I was already running. I was inside.
The floor was paved with broken glass from the Christmas ornaments and family photos that had fallen. (A tall man with wild, sandy-colored hair and tanned, capable hands, a curvy, olive-skinned woman with gray eyes, an unremarkable teenage girl, an astonishingly handsome boy and a dog that was a mix of so many odd breeds it made you laugh to look at him.) My feet were bare. I reached for a pair of my mother’s suede and shearling boots by the door, yanked them on, and stepped over the glass, calling for my dog. He was yelping and growling at an invisible phantom; his paws were bleeding. I picked him up and blood streaked down my legs.
I turned to open the door but a wall of water surged toward me behind the glass pane and I put up my hands as if to hold it back, as if to part the wave.
And then I fell.
That’s all I remember of the last day of the life I once knew.
Copyright © 2013 by Francesca Lia Block
Francesca Lia Block, winner of the prestigious Margaret A. Edwards Lifetime Achievement Award, is the author of many acclaimed and bestselling books, including Dangerous Angels: The Weetzie Bat Books, Roses and Bones: Myths, Tales and Secrets, and the adult novel The Elementals. Her work has been translated and published around the world. She lives in Los Angeles with her two children. Her most recent book is the postapocalyptic Love in the Time of Global Warming.