“Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art.”—Lucette Lagnado, author of The Man in the White Sharkskin Suit
"Fast-paced and compelling….Waxman has an array of wondrous tales to tell….Considerable, admirable, and totally absorbing."The Boston Globe
"Loot is hip to the politics underlying the whole repatriation craze. . . . This book’s title is absolutely true."—Newark Star-Ledger
"A journalistic tour de force -- an exhaustively researched, even-handed compendium of the disputes roiling museums and source countries."—CultureGrrl art blog
"[An] insightful new exploration into cultural plunder."—Dallas Morning News
"A measured, detailed and accessible history of cultural custody cases, bringing the ages-old quandary up to date."—Kansas City Star
"Absorbing and well-researched . . . [Waxman] gives all actors in this bitterly antagonistic drama a hearing and writes with flair and an earnest sense of inquiry."—The Washington Post Book World
"A remarkable book . . . After reading [Loot] you will never again view an antiquity in a museum in the same light."—Kings Features Syndicate
"Loot does an excellent job of exploring the political underpinnings of the contest over antiquities…[Waxman’s] critical distance allows her to see both sides of this tangled story. . . Loot is an engaging and informative read."—Art + Auction Magazine
"Lively and wide-ranging. . . Waxman has written the definitive volume."—ARTnews Magazine
"Skillfully blending history and reportage . . . Waxman’s account is animated by interviews with museum curators, accused smugglers and government officials, putting a human spin on the complex cultural politics before arriving at a middle ground that strives for international collaboration in preserving a broad global heritage."—Publishers Weekly, starred review
"Former New York Times culture correspondent [Sharon] Waxman adroitly and expertly explores a centuries-old struggle . . . In Waxman’s hands, the question of justice remains intriguingly slippery, and the argument over who owns history takes on new depth. Erudite and wholly satisfying."—Kirkus Reviews
"Exposes hypocrisy on all sides of the debates."—The Roanoke Times
"Comprehensive and revealing . . . Waxman is a congenial, globe-hopping tour guide through cramped offices, dank tomb sites, and sleek, art-filled palaces."—Booklist
"[An] intelligent, well-informed book . . . [Waxman] skillfully interweaves lucid historical accounts with savvy contemporary interviews. . . . This wide-ranging narrative limns a multifaceted problem with no single solution. Facing facts would be a good place to start, Waxman concludes."--Los Angeles Times
"Waxman, a former correspondent for the New York Times, recounts tales of arrogance, greed and lust in museum personnel who, however well educated, are all too human in their daily affairs. . . . The questions Waxman raises are real, and her proposals to remedy the situation are the start of a much-needed discussion."--San Francisco Chronicle Book Review
"Waxman illustrates this overstuffed book with the colorful personalities and histories behind some of the most famous ancient artworks (the Elgin Marbles, the Rosetta Stone), and the questions she raises are fascinating ones...Loot contains its share of golden treasures underneath all that dust."--Gilbert Cruz, Time
"Loot ... is a timely account of how the world ofantiquities arrived at the situation it is in today ... an engaging and informative read." --Andrew Slayman, ArtInfo.com
