Orson Scott Card
At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.
WHEN CHRISTIAN HAROLDSEN was six months old, preliminary tests showed a predisposition toward rhythm and a keen awareness of pitch. There were other tests, of course, and many possible routes still open to him. But rhythm and pitch were the governing signs of his own private zodiac, and already the reinforcement began. Mr. and Mrs. Haroldsen were provided with tapes of many kinds of sound, and instructed to play them constantly, waking or sleeping.
When Christian Haroldsen was two years old, his seventh battery of tests pinpointed the