“This lively account, which draws heavily on the memories of Camillucci himself, tells the kind of tale that seems tailor-made for a big-screen adaptation—it’s the sort of thing Martin Scorsese would knock out of the park—with larger-than-life characters and a story that is almost too good to be true: how rock ’n’ roll and a racy new dance craze turned a Mob hangout into a mecca for the world’s most sparkly glitterati.”
“A lively and colorful new history”
—New York Post
"The Sopranos meets American Bandstand! I love it. The Peppermint Lounge is where it all started for me and the Ronettes.”
“If you asked me to draw up a list of the American writers I'd pick to go long in a story about the mob, music and the all-star cast that made the Peppermint Lounge an iconic landmark, I'd put John Johnson at the top. This guy could write about a fallen leaf, weave a riveting story and make it sing.”
—Steve Lopez, author of The Soloist
“True crime meets pop-music history in this history of the Peppermint Lounge, the Twist and the Mafia’s unwitting role in starting a national craze.
In 1960, Dick Cami’s father-in-law, Johnny Biello, a high-ranking Mafioso, bought an off-Broadway dive as a favor to a friend, and Cami suggested having rock ’n’ roll music in the place. Within months, the Peppermint Lounge became the hottest club in the country, as New Jersey teens mixed with such celebrities as Norman Mailer, Ava Gardner and even the Beatles—all doing the Twist. “The Twist hit like an atomic bomb and the Peppermint Lounge was ground zero,” write veteran journalists Johnson (co-author: Blood Brothers: The Inside Story of the Menendez Murders, 1994) and Selvin (Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild, 1994, etc.). All of this surprised Biello, who saw the place as a nice front for his loan-sharking and gambling rackets. However, not one to pass up a buck, he let Cami make the place legit and even opened a second lounge in Florida. The authors go back and forth between telling the stories of Biello’s rise in the Mafia and his constant attempts to get out and the rise of the Twist. Biello’s tale is one of Mafia intrigue and Runyonesque figures such as his younger brother Scatsy, while the tale of the Twist is one of the early rise of youth culture, which would soon become a revolution. It’s also the story of a young singer named Chubby Checker, who, once spotted by pop-music king Dick Clark, made a career out of the song “The Twist” (originally recorded by Hank Ballard and the Midnighters), and how every singer from Sam Cooke to Frank Sinatra made a Twist record. The two stories shouldn’t fit, but they do.
A fun and fascinating read.”