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Palgrave Studies in Theatre and Performance History

Series Editor: Don B. Wilmeth  

The Palgrave Studies in Theatre and Performance History Series is devoted to the best of theatre/performance historical scholarship—accessible and free of jargon. It strives to include a wide range of topics, from the more traditional to those performance forms that in recent years have helped broaden the understanding of what theatre as a historical category might include, from a variety of forms as diverse as the circus and burlesque, to street buskers, stage magic, and musical theatre, among many others. 

Don B. Wilmeth is Asa Messer Professor, Emeritus of Theatre Studies and English at Brown University. Don brings to the series over a dozen years as editor of Cambridge Studies in American Theatre & Drama. 

Don Wilmeth has won the 2012 Theatre History Preservation Award from The Theatre Museum!

Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865 (Palgrave Studies in Theatre and Performance History)
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Acts of Manhood
Plays in American Periodicals, 1890-1918:  (Palgrave Studies in Theatre and Performance History)
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Plays in American Periodicals, 1890-1918
Staging Holocaust Resistance:  (Palgrave Studies in Theatre and Performance History)
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Staging Holocaust Resistance
Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits (Palgrave Studies in Theatre and Performance History)
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Hijikata Tatsumi and Butoh
The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present (Palgrave Studies in Theatre and Performance History)
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The Drama of Marriage
Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (Palgrave Studies in Theatre and Performance History)
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Mei Lanfang and the Twentieth-Century International Stage
Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History)
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Transposing Broadway
Baggy Pants Comedy: Burlesque and the Oral Tradition (Palgrave Studies in Theatre and Performance History)
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Baggy Pants Comedy
Russian Culture and Theatrical Performance in America, 1891-1933:  (Palgrave Studies in Theatre and Performance History)
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Russian Culture and Theatrical Performance in America, 1891-1933
Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts (Palgrave Studies in Theatre and Performance History)
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Early-Twentieth-Century Frontier Dramas on Broadway
Staging the People: Community and Identity in the Federal Theatre Project (Palgrave Studies in Theatre and Performance History)
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Staging the People
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (Palgrave Studies in Theatre and Performance History)
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Performing Bodies in Pain
Lady Macbeth in America: From the Stage to the White House (Palgrave Studies in Theatre and Performance History)
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Lady Macbeth in America
Theatre, Performance, and the Historical Avant-garde:  (Palgrave Studies in Theatre and Performance History)
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Theatre, Performance, and the Historical Avant-garde
Interrogating America through Theatre and Performance:  (Palgrave Studies in Theatre and Performance History)
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Interrogating America through Theatre and Performance
Beyond the Golden Door: Jewish American Drama and Jewish American Experience (Palgrave Studies in Theatre and Performance History)
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Beyond the Golden Door
Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900-1920 (Palgrave Studies in Theatre and Performance History)
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Broadway and Corporate Capitalism
Rogue Performances: Staging the Underclasses in Early American Theatre Culture (Palgrave Studies in Theatre and Performance History)
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Rogue Performances
Theatre and Religion on Krishna's Stage: Performing in Vrindavan (Palgrave Studies in Theatre and Performance History)
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Theatre and Religion on Krishna's Stage
Mendel's Theatre: Heredity, Eugenics, and Early Twentieth-Century American Drama (Palgrave Studies in Theatre and Performance History)
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Mendel's Theatre
Danjuro's Girls: Women on the Kabuki Stage (Palgrave Studies in Theatre and Performance History)
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Danjuro's Girls
Vaudeville Wars: How Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers (Palgrave Studies in Theatre and Performance History)
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Vaudeville Wars
Staging Stigma: A Critical Examination of the American Freak Show (Palgrave Studies in Theatre and Performance History)
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Staging Stigma
On the Uses of the Fantastic in Modern Theatre: Cocteau, Oedipus, and the Monster (Palgrave Studies in Theatre and Performance History)
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On the Uses of the Fantastic in Modern Theatre

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