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Rethinking Art's Histories

The Rethinking Art's Histories series from Manchester University Press aims to foreground work that challenges the conventional periodization and geographical subfields of traditional art history, and to address a wide range of visual cultural forms from the early modern period to the present. These books will acknowledge the impact of recent scholarship on our understanding of the complex temporalities and cartographies that have emerged through centuries of world-wide trade, political colonization, and the diasporic movement of people and ideas across national and continental borders.

Flesh Cinema: The Corporeal Turn in American Avant-Garde Film (Rethinking Art's Histories)
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Flesh Cinema
Performative Monuments: The Rematerialisation of Public Art (Rethinking Art's Histories)
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Performative Monuments
Gender, ArtWork and the Global Imperative: A Materialist Feminist Critique (Rethinking Art's Histories)
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Gender, ArtWork and the Global Imperative
The Newspaper Clipping: A Modern Paper Object (Rethinking Art's Histories)
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The Newspaper Clipping
Glorious Catastrophe: Jack Smith, Performance and Visual Culture (Rethinking Art's Histories)
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Glorious Catastrophe
After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum (Rethinking Art's Histories)
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After-affects / After-images
Photography and Documentary Film in the Making of Modern Brazil:  (Rethinking Art's Histories)
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Photography and Documentary Film in the Making of Modern Brazil
After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum (Rethinking Art's Histories)
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After-affects / After-images
Transcultural Encounters: Visualising France and the Maghreb in Contemporary Art (Rethinking Art's Histories)
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Transcultural Encounters
Women, the Arts and Globalization: Eccentric Experience (Rethinking Art's Histories)
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Women, the Arts and Globalization
Glorious Catastrophe: Jack Smith, performance and visual culture (Rethinking Art's Histories)
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Glorious Catastrophe
Timed Out: Art and the Transnational Caribbean (Rethinking Art's Histories)
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Timed Out
Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel (Rethinking Art's Histories)
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Vertiginous Mirrors
Screen/Space: The Projected Image in Contemporary Art (Rethinking Art's Histories)
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Screen/Space
After the Event: New Perspectives on Art History (Rethinking Art's Histories)
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After the Event
Art, Museums and Touch:  (Rethinking Art's Histories)
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Art, Museums and Touch
The 'Do-it-Yourself' Artwork: Participation from Fluxus to New Media (Rethinking Art's Histories)
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The 'Do-it-Yourself' Artwork

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