• Manchester University Press
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Spanish and Latin American Film

This series offers a focus on new filmmakers; reclaims previously neglected filmmakers; and considers established figures from new and different perspectives. Each volume places its subject in a variety of critical and production contexts.

The series sees these figures as more than just auteurs, thus offering an insight into the work and contexts of producers, writers, actors, production companies and studios. The studies in this series take into account the recent changes in Spanish and Latin American film studies, such as the new emphasis on popular cinema, and the influence of cultural studies in the analysis of films and of the film cultures produced within the Spanish-speaking industries.

Series Editors: Nuria Triana Toribio and Andrew Willis

The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (Spanish and Latin American Film)
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The Three Amigos
The Cinema of Iciar Bollaín:  (Spanish and Latin American Film)
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The Cinema of Iciar Bollaín
Alejandro Amenabar:  (Spanish and Latin American Film)
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Alejandro Amenabar
Daniel Calparsoro:  (Spanish and Latin American Film)
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Daniel Calparsoro
Emilio Fernández: Pictures in the Margins (Spanish and Latin American Film)
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Emilio Fernández
The Cinema of Álex de la Iglesia:  (Spanish and Latin American Film)
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The Cinema of Álex de la Iglesia
Julio Medem:  (Spanish and Latin American Film)
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Julio Medem

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