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Strippers, Showgirls, and Sharks

A Very Opinionated History of the Broadway Musicals That Did Not Win the Tony Award

Peter Filichia

St. Martin's Press

“Wait..Gypsy didn’t win the Tony for Best Musical?”

 

That’s a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic “Gypsy”.  In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical.  It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony.  The envelope is opened. The winner is announced and, then, the screeching begins.  "Oh no!  They gave it to that?"  Did the best musical always win the Best Musical prize? Were there other factors that kept a more deserving show from copping the prize? Peter Filichia answers all these questions and more in "Strippers, Showgirls and Sharks" as he looks at many of the 153 previous Best Musical Nominees that didn’t win the big prize.  What were the biggest omissions?  "Gypsy" had the distinct displeasure of not being either the first or second choice of the committee. In 1959 when Ethel Merman and a variety of strippers took the stage, the Tony for Best Musical was a tie between "The Sound of Music" and "Fiorello".  In 1971, Stephen Sondheim's "Follies" and its ghostly showgirls lost to a "groovy" re-tuning of "Two Gentlemen of Verona" that hasn’t passed the test of time. And, in 1957, "West Side Story", its Jets and Sharks, were bested by the fine people of River City Iowa singing their Americana hearts out in "The Music Man".  If you love Broadway, scratch your head on Tony Award night and still can't figure out how a show you loathed won the Tony for Best Musical, you will love riding through the years with Peter Filichia, one of America's most respected and popular theatre critics.

BOOK EXCERPTS

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Chapter One
 

How Did It Happen? The Best Musical Tony Losers That Should Have Won
The ancient Greeks probably didn’t have their own version of the Tony Awards. But if they did, one thing is for certain: each year when winners were announced, some Hellenic hell was raised. “What!? That won?” “I can’t believe it!” and “(S)he was robbed!” must have rung out across the agora.
Whether or not it happened then, it certainly has been occurring for decades. Whenever any award winner is announced from the podium—be it for a Tony
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REVIEWS

Praise for Strippers, Showgirls, and Sharks

Praise for Peter Filichia:
“One of our most important theater writers.” —Charles Strouse, composer of Annie and Bye Bye Birdie

“I read him all the time.” —Gregory Maguire, author of Wicked

“The finest interviewer I have ever encountered.” —Joseph Stein, author of Fiddler on the Roof

Reviews from Goodreads

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ABOUT THE AUTHOR

  • Peter Filichia

  • PETER FILICHIA is the theater critic emeritus for both the Newark Star-Ledger and its television station, News 12 New Jersey. He writes a weekly column for Musical Theatre International.  He has served four terms as president of the Drama Desk, the New York Association of Drama Critics and is now head of the voting committee and the emcee of the Theatre World Awards. A frequent contributor to theater publications and the writer of many cast-album CD liner notes, he lives in New York City.

     

  • Peter Filichia
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Available Formats and Book Details

Strippers, Showgirls, and Sharks

A Very Opinionated History of the Broadway Musicals That Did Not Win the Tony Award

Peter Filichia

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FROM THE PUBLISHER

St. Martin's Press

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