Recipient of widespread praise for his award-winning crime short stories, Russel McLean’s full-length debut has been characterized by key crime authors and critics alike as the emergence of a major talent.
There is something rotten behind the apparent sucide of Daniel Robertson and it’s about to come bursting into the life of J. McNee, a Scottish private investigator with a near-crushing level of personal baggage. James Robertson, a local farmer, finds his estranged brother’s corpse hanging from a tree. The police claim suicide. But McNee is about to uncover the disturbing truth behind the death. With a pair of vicious London thugs on the move in the Scottish countryside, it’s only a matter of time before people start dying. As the body count rises, McNee finds himself on a collision course with his own demons and an increasing array of brutal killers in a violent, bloody showdown that threatens to leave none involved alive. Plumbing the depths of love, loss, betrayal, and one broken man’s attempt to come to terms with his past, The Good Son successfully blends the classic style of the gumshoe era with the outer edges of modern noir.