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She is an astute young Housekeeper, with a ten-year-old son, who is hired to care for him.
And every morning, as the Professor and the Housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them. Though he cannot hold memories for long (his brain is like a tape that begins to erase itself every eighty minutes), the Professor’s mind is still alive with elegant equations from the past. And the numbers, in all of their articulate order, reveal a sheltering and poetic world to both the Housekeeper and her young son. The Professor is capable of discovering connections between the simplest of quantities--like the Housekeeper’s shoe size--and the universe at large, drawing their lives ever closer and more profoundly together, even as his memory slips away.
The Housekeeper and the Professor is an enchanting story about what it means to live in the present, and about the curious equations that can create a family.
"Highly original. Infinitely charming. And ever so touching."--Paul Auster
"Gorgeous, cinematic . . . The Housekeeper and the Professor is a perfectly sustained novel . . . like a note prolonged, a fermata, a pause enabling us to peer intently into the lives of its characters. . . . This novel has all the charm and restraint of any by Ishiguro or Kenzaburo Oe and the whimsy of Murakami. The three lives connect like the vertices of a triangle."--Susan Salter Reynolds, Los Angeles Times
"Deceptively elegant . . . This is one of those books written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water. But even in the clearest waters can lurk currents you don’t see until you are in them. Dive into Yoko Ogawa’s world . . . and you find yourself tugged by forces more felt than seen."--Dennis Overbye, The New York Times Book Review
“Alive with mysteries both mathematical and personal, The Housekeeper and the Professor has the pared-down elegance of an equation.”--O, The Oprah Magazine
"This sweetly melancholy novel adheres to the Japanese aesthetic that finds beauty in what is off-center, imperfect. . . . In treating one another with such warm concern and respect, the characters implicitly tell us something about the unforgiving society on the other side of the professor's cottage door. The Housekeeper and the Professor is a wisp of a book, but an affecting one."--Amanda Heller, The Boston Globe
"We don't pay much attention to literary news from Japan unless it’s bizarre: businessmen on crowded subways reading pornographic manga, teenage girls buying cell-phone romance novels by the millions. But here’s an example of Japanese reading habits that’s just as odd, if less sexy: Yoko Ogawa’s The Housekeeper and the Professor has sold more than 2.5 million copies in the small island nation. Oprah would have to recommend a book about Harry Potter’s dying Labrador to move that many copies in the United States. . . . The Housekeeper and the Professor is strangely charming, flecked with enough wit and mystery to keep us engaged throughout. This is Ogawa’s first novel to be translated into English, and Stephen Snyder has done an exceptionally elegant job."--Ron Charles, The Washington Post
"Lovely . . . Ogawa's plot twists, her narrative pacing, her use of numbers to give meaning and mystery to life are as elegant in their way as the math principles the professor cites. . . . Ogawa's short novel is itself an equation concerning the intricate and intimate way we connect with others--and the lace of memory they sometimes leave us."--Anthony Bukoski, Minneapolis Star Tribune
"[A] mysterious, suspenseful, and radiant fable . . . The smart and resourceful housekeeper, the single mother of a baseball-crazy 10-year-old boy the Professor adores, falls under the spell of the beautiful mathematical phenomena the Professor elucidates, as will the reader, and the three create an indivisible formula for love."--Donna Seaman, Booklist
"Ogawa's charming fable presents a stark contrast to the creepy novellas collected last year in The Diving Pool, but her strength as an engaging writer remains."--Vikas Turahkia, The Plain Dealer (Cleveland)
"Ogawa weaves a poignant tale of beauty, heart and sorrow in her exquisite new novel. . . . In this gorgeous tale, Ogawa lifts the window shade to allow readers to observe the characters for a short while, then closes the shade. [Translator Stephen] Snyder . . . brings a delicate and precise hand to the translation."--Publishers Weekly (starred review)
"Ogawa's disarming exploration of an eccentric relationship reads like a fable, one that deftly balances whimsy with heartache."--Kirkus Reviews
Yoko Ogawa's fiction has appeared in The New Yorker, A Public Space, and Zoetrope. Since 1988 she has published more than twenty works of fiction and nonfiction, and has won every major Japanese literary award.
Of all the countless things my son and I learned from the Professor, the meaning of the square root was among the most important. No doubt he would have been bothered by my use of the word countless--too sloppy, for he believed that the very origins of the universe could be explained in the exact language of numbers--but I don’t know how else to put it. He taught us about enormous prime numbers with more than a hundred thousand places, and the largest number of all, which was used in mathematical proofs and was in the Guinness Book of Records, and about the idea of something
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