Without a Name and Under the Tongue

"Vera's style is beautifully matched with the content, and magnificently promotes its central theme that language has both the power to heal and to accrete and to allow those who have once been victims to transform themselves and their future."—Judges' Citation, Commonwealth Writers Prize, Africa Region (Under the Tongue)

"Without a Name movingly exposes the ways in which an unwanted pregnancy can be a virtual death sentence for a poor African woman with a dream . . . A powerful narrative."—The New York Times Book Review

"Vera writes with an unflinching honesty that refuses to varnish or romanticize the grim reality that faces, in Without a Name, a woman, Mazvita, who seeks freedom by leaving her home to go to Harare . . . In Under the Tongue, the violence in the home (the father violates the daughter and the mother kills him) is echoed by the violence of the war in the country, which the author depicts with precision and economical language . . . Vera's language is rich with many memorable phrases that stay with the reader . . . The images are vivid from beginning to end . . . Vera tells her stories with touching grace and extraordinary brilliance."—Lesego Malepe, MultiCultural Review

"Under the Tongue is about suffering [and] it is also about speaking out . . . That is the gift that Zhizha offers, not just to her silent mother and her remembering grandmother, not just to the doubly opressed women of Zimbabwe. . . but to women all over the world."—The Zimbabwe Review

"Vera's most recent novel, Butterfly Burning, was published in the United States last year, and with this first U.S. publication of her two earliest works one of which, Under the Tongue, won a Commonwealth Writers Prize in 1997, U.S. readers now have full access to this prominent African writer. Both novellas are set during Zambia's guerrilla war in 1977. In startling prose, Vera writes of women enduring the horrors of war and poverty as they live on the fringes of the dominant white society. In Without a Name, a young woman escaping war in the countryside falls into a relationship with a man in order to cope in the city and finds herself pregnant. In Under the Tongue, a family of women living in township housing maintain a tenuous grasp on their former culture as the war impinges on their lives. Both works show how violence invades the women's lives in unexpected ways, bringing irrevocable changes. Throughout, Vera braids earlier and later incidents together in alternating chapters to build a narrative whole. Her brief, at times childlike sentences capture the fresh, sharp vision of someone new to modern society revealing, for example, the fascination of seeing a bicycle for the first time. Highly recommended."—Reba Leiding, James Madison University Library, Harrisonburg, Virginia, Library Journal