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Philip Larkin

Life, Art and Love

Bloomsbury Paperbacks

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ISBN10: 1408851695
ISBN13: 9781408851692

Paperback

570 Pages

$18.00

CA$19.99

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Philip Larkin (1922-1985) is one of the most beloved poets in English. Yet after his death a largely negative image of the man himself took hold; he has been portrayed as a racist, a misogynist and a narcissist. Larkin scholar James Booth, for seventeen years a colleague of the poet's at the University of Hull, offers a very different portrait. Drawn from years of research and a wide variety of Larkin's friends and correspondents, this is the most comprehensive portrait of the poet available.

Booth traces the events that shaped Larkin in his formative years, from his early life when his political instincts were neutralized by exposure to his father's controversial Nazi values. He studies how the academic environment and the competition he felt with colleagues such as Kingsley Amis informed not only Larkin's poetry, but also his little-known ambitions as a novelist.

Through the places and people Larkin encountered over the course of his life, including Monica Jones, with whom he had a tumultuous but enduring relationship, Booth pieces together an image of a rather reserved and gentle man, whose personality--and poetry--have been misinterpreted by decades of academic study. Philip Larkin: Life, Art and Love reveals the man behind the words as he has never been seen before.

Reviews

Praise for Philip Larkin

"Booth largely succeeds in ennobling Larkin through his contradictions, depicting a man for whom life was much more than, as he once wrote, ‘first boredom, then fear.’"—The New Yorker

"[Booth] has achieved a proper balance, rare in books about writers, between the life and the art, always intent on showing how the life influenced the art, which in the end ought to be the only reason for interest in the life. Mr. Booth is wise enough to distinguish between indiscretions in letters to friends and actions in the world. He also has the sense of humor required of anyone who writes about Larkin and which is so evidently missing in Andrew Motion. James Booth’s biography reveals a Philip Larkin more complex, three-dimensional and subtler in every way than Andrew Motion ever dreamed possible . . . Booth’s Philip Larkin is a salutary reminder that biography need be neither iconoclastic nor reveal dark secrets to help readers understand the subtle richness of a complex man."—Joseph Epstein, The Wall Street Journal