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Afterland

Poems

Graywolf Press

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ISBN10: 1555977707
ISBN13: 9781555977702

Paperback

96 Pages

$16.00

CA$22.99

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Winner of the Walt Whitman Award

When I make the crossing, you must not be taken no matter what
the current gives. When we reach the camp,

there will be thousands like us.
If I make it onto the plane, you must follow me to the roads
and waiting pastures of America.

We will not ride the water today on the shoulders of buffalo
as we used to many years ago, nor will we forage
for the sweetest mangoes.

I am refugee. You are too. Cry, but do not weep.


—from “Transmigration”

Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.

Reviews

Praise for Afterland

"The Hmong-American poet Mai Der Vang’s début volume, Afterland (Graywolf), reminds us what a distinctive instrument the human imagination is, no matter what tune it plays. There is a story in this book, and an important one: Vang’s family fled Laos at the close of the Laotian 'secret war,' when the C.I.A. armed the Hmong people to fight against the occupying North Vietnamese . . . Vang writes strikingly, often chillingly visual poems, their images projected one at a time, like slides in a lecture, or perhaps in a trial . . . Afterland works its wonders with an intentionally rationed vocabulary, its counters combined and recombined in poem after poem: stars, water, hair, bones, fire. To invest this elemental grammar with such feeling is to play a game, mastered by poets from Du Fu to Louise Glück, that reminds us that the contents of the world are finite, and that the imagination obtains, often, only in combination. The style creates an atmosphere of impending marvels, and many of Vang’s poems perform, in words, the transformations that they describe."—Dan Chiasson, The New Yorker