Introduction--P.Anderson&J.Menon * Sublime Trauma: The Violence of Ethical Encounter--L.Wade * The "Outsider" Outside: Performing Immigration in French Street Theatre--S.Haedicke * The Poetics of Displacement and the Politics of Genocide in Three Plays about Rwanda--L.Edmondson * Ethics, Belonging, and the Limits of Liberalism: Hanif Kureishi's My Son the Fanatic--E.Kent * Sacrificial Discourses: Martyring the Subject of Violence: The Case of Stephen Lawrence--M.K.Dahl * Decorated Death and the Double Whammy: Attempting to Erase the Excluded through Minstrelsy and Lynching--B.Lewis * Nationalism Refigured: Contemporary South Indian Cinema and the Subject of Feminism--T.Niranjana * Truth, Reconciliation, and the Ends of Political Performance--L.Kruger * Narratives of Armed Conflict and Terrorism in the Theater--F.Rokem * Violent Reformations: Image Theatre with Youth in Conflict Regions--S.A.Kuftinec * Performing Violence: The Artist/Activist Voices of Ethno-Global Writers Arundhati Roy and Denise Uyehara--K.Katrak * Directing Tourists and Escapees: North Korea's Two Conflicting National Performances--S-Y.Kim * Not So Innocent Landscapes: Representing the "Disappeared:" Material Absence and Historical Presence in David Farrell's Photography--M.Phelan * Performance Complexes: Abu Ghraib and the Culture of Neoliberalism--T.Perucci * Global Performativity and the Torture Machine--J.McKenzie * How to Stage Self-Consumption--P.Anderson * Afterword--P.Phelan