“This is a terrific book: beautifully written and imagined, and full of surprises . . . A brilliant historical novel.” —A. N. Wilson, Reader's Digest

“In The Long Song, Andrea Levy explores her Jamaican heritage more completely than ever before. This sensational novel­--her first since the Orange Prize-­winning Small Island, recently adapted for the BBC--tells the life story of July, a slave girl living on a sugar plantation in 1830s Jamaica just as emancipation is juddering into action. Levy's handling of slavery is characteristically authentic, resonant and imaginative.” —Holly Kyte, The Telegraph

“The Long Song is above all the female version of emancipation, told in vivid, vigorous language in which comedy, contempt and a fierce poetry are at work . . . For all that this is supposed to be the autobiography of a woman with 'little ink,' edited by her anxious, seemly son, The Long Song is told with irresistible cunning; it is captivating, mischievous and optimistic, generating new stories and plot lines throughout the tale.” —Amanda Craig, The Daily Telegraph

“As well as providing a history of post-abolition Jamaica, The Long Song is beautifully written, intricately plotted, humorous and earthy. The Long Song, not just for the insights on the 'wretched island,' but as a marvel of luminous storytelling.” —Ian Thomson, Financial Times

“As I read, I kept thinking how magnificently this novel would work in the theatre. Levy has a talent for crowd control, ensemble work, comic timing. She loves to preside over chaos and includes several scenes of virtuoso Jamaican farce, including conflict in the master bedroom (July ends up under the bed).” —Kate Kellaway, The Observer (London)

“As a story of suffering, indomitability and perseverance, it is thoroughly captivating.” —Alex Clark, The Guardian

“As well as being beautifully written The Long Song is a thoroughly researched historical novel that is both powerful and heartbreaking.” —Lianne Kolirin, Daily Express

“This is a huge leap of the imagination. It's also exceptionally good.” —Claire Allfree, Metro

“Like all of Levy's work, The Long Song, in its power and beauty, is quite simply the truth.” —Bonnie Greer, Book Quarterly

“It is a wonderful, life-enhancing, at times very funny book, largely because of the brilliant invention of the narrator, July . . . It is thoroughly researched, but it wears its research lightly and as well as a fascinating story of our joint black and white past, it gives us the splendid Miss July, who is surely destined to be one of literature's great characters.” —Sharon Griffiths, The Northern Echo

“Levy has articulated the black British experience like no other . . . What a voice.” —Daily Mirror

“The follow-up to Andrea Levy's award-winning Small Island is a set in early 19th century Jamaica and is a tale of the end of slavery. The novel takes the form of a memoir of an old Jamaican woman, July, who was herself once a slave, she is now living comfortably with her son, a printer, who intends to publish her story. Set against turbulent times of oppression and rebellion, July's story is a personal chronicle of the lives and struggles of individuals, which is at times both heartbreaking and uplifting.” —Hinterland Times

“An elegant allegory of storytelling . . . A subtly observed, beautifully written, structurally complex novel--an impressive follow-up to Small Island.” —Kirkus Reviews (starred review)

“In the inexplicable absence of a definitive and revelatory history of Jamaica's nearly 300 years of slavery, Levy gamely steps into the void with this lively and engaging novel . . . Charming, alarming, Levy's vibrant historical novel shimmers with all of the artifice and chicanery slave owners felt compelled to exert.” —Booklist

"It is not a discourse on the atrocities of slavery, nor a whip for white readers to lash themselves with. The Long Song is an inspiring, optimistic and beautifully written tale of one spirited woman's emancipation.” —Amanda Smyth, The Irish Times

“For a novel about slavery, The Long Song is wonderfully funny, largely due to July’s antic voice. And this is a book to be read for its voice, for its song.” —Xarissa Holdaway, The Second Pass