Los Angeles
The house in which we live has three wings. The west wing is where the Husband and I live. The east wing is where the children and their attending au pairs live. And lastly, the largest but ugliest wing, extending behind the house like a gnarled, broken arm, is where my 100 ex-boyfriends live. We live in LA.
Our house has the nicest view in the Hills. From our Spanish-tiled kitchen, I can see my old apartment complex down the hill, a coral stucco converted motel. The burned-out sign says EL PARAISO. Another girl lives in my studio now. In T-shirt and slip, she drinks a glass of juice, stands hunched over the sink in the kitchen that I painted seafoam green. It is three in the morning, it is three in the afternoon.
She is there, I am here, and all my ex-boyfriends who dated me there are also here. Aaron. Adam. Akihiko. Alejandro. Anders. Andrew. Those are just the As.
My 100 ex-boyfriends and I hang out every day. We get into the Porsche 911 Turbo S, bunching into it as if it were a clown car, and drive down roads and boulevards, hills and canyons, palm-frond-strewn avenues, and parking garages of shopping malls. Geoff drives. The city sprawls out endlessly. Bougainvillea the color of bruises grows across people’s fences. Sometimes, a bamboo grove. Sometimes, a cemetery. Sometimes, a free clinic devoted to the removal of burst capillaries. The sun hits our faces, our eyes squint in the light, our hair billows in the wind.
On the Husband’s credit card: 101 burgers at Umami Burger, 101 admission tickets to LACMA, 101 golden milks at Moon Juice. We go shopping. We go to Barneys. We go to Koreatown. We go to Urth Caffé to do some light reading.
Can I get an extra wheatgrass shot? Benoît says.
Does this hoodie make me look fat? Fred says.
It’s almost time for us to go home, Chang says.
And Aaron, he doesn’t say anything. Neither does Adam.
It is almost evening by the time we return to our gated community, the sky a layer cake of pinks and oranges. At the security booth, a black iron gate lifts, heavy with its own weight.
After we’ve disembarked, the Husband returns home from the investment firm. He comes in quietly, through our noiseless garage door. I know it’s him when I hear the sound of ice clinking against glass, then bourbon pouring, glugging as it leaves the bottle. He lets it sit for a bit.
Hi, honey, I say. How was your day?
$$$$, $$$$$$$$$, he says. $$$$$$$$$$$$$$.
Well, did it go up or down?
$$$$$$$$$$.
Does that mean you’re working this weekend?
$.
The Husband is a resting place. He is a chair. Sometimes I drape myself over him and I get the physical comfort of not being alone. I can feel it anytime I want; mostly Saturday nights, mostly Sunday mornings. But the times I need it most are the early evenings when I feel like I am dissolving. During this time, my ex-boyfriends scatter, and the Husband and I go somewhere for dinner.
I put on my plane coat, and we take the time-share up to Marin County. By eight, we descend into Sausalito, where Danielle Steel lives, where moody conifers grow on steep hills, and the expanse of the deep bay laps at rocks along the shore. It’s pretty here, but the only place to shop is Benetton.
At the slow-food restaurant on the harbor, an older couple at the next table beams our way. It takes a moment to see that we look like a younger version of them, sans their matching sweater vests and silvered hair. Between our tables, a span of thirty years. I return their smiles and look away.
The Husband orders a red wine and I order a Diet Coke. Plates are laid out: tuna carpaccio encrusted with toasted sesame seeds, pea shoot tendrils tenderly clasping veal medallions in abstracted herb sauce, zucchini slivers dressed with mint-dill reduction.
The Husband sips his wine, eats his veal while I tell him about the things my ex-boyfriends and I did all day, the art we saw, the items we bought. Dessert arrives, a vanilla torte with raspberry coulis and mascarpone cream.
I try to enjoy it, but I can’t seem to escape the gaze of the couple at the next table. The wife, she can’t help herself. She leans over, puts her hand on my wrist, says, You will produce beautiful children.
That’s been done, I tell her, taking my hand away.
I have one son and one daughter, one gang-bangingly after the other. One is six and the other seven. They look and act so much like the Husband. They chew with their mouths closed, they know the correct fork to use. At night, they crawl into my lap, full of easily disclosed secrets, light as folding chairs.
At home, when the daughter spills raspberry juice on the carpet, the son chides, This is why we can’t have nice things.
No, that’s not true, I tell them, looking at the daughter. You can have everything.
Really? she asks.
There is nothing you ever have to give up, I say, pretty sure this is the wrong thing to say to a six-year-old but saying it anyway. You can have your cake and eat it too.
I can have my juice and spill it too?
Sure. Good use of analogy.
My ex-boyfriends take turns teaching the kids new things. They practice piano, solve math exercises, demonstrate logic and rhetoric.
Copyright © 2022 by Ling Ma
Grateful acknowledgment is made for permission to reprint “Happiest Moment,” from The Collected Stories of Lydia Davis, by Lydia Davis. Copyright © 2009 by Lydia Davis. Reprinted by permission of Farrar, Straus and Giroux. All rights reserved.