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Author: Derek Walcott




About This Book

A poem of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.
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Book Details

A Masterpiece of Modern Epic Poetry

Dive into the poignant verses of Omeros, a grand opus of epic poetry penned by Nobel laureate Derek Walcott. Told in multiple chapters and tracing two currents of history, this work offers an immersive blend of historic account and personal sentiment.

Titled with the Greek name for Homer, Omeros elegantly traverses the surface and depths of history. While wrapping you in the intricacies of Caribbean literature and Latin American poetry, the verses of Omeros take you on an emotional journey through Saint Lucian landscapes.

Celebrate the spirit of this significant contribution to Caribbean poetry and St. Lucian literature while unraveling the complex themes of 20th-century poetry, including slavery, Native American history, and more.

“One of the great poems of our time.” —John Lucas, New Statesman

Imprint Publisher

Farrar, Straus and Giroux



In The News

“No poet rivals Mr. Walcott in humor, emotional depth, lavish inventiveness in language, or the ability to express the thoughts of his characters and compel the reader to follow the swift mutations of ideas and images in their minds. This wonderful story moves in a spiral, replicating human thought, and in the end, surprisingly, it makes us realize that history, all of it, belongs to us.” —Mary Lefkowitz, The New York Times Book Review (an Editors' Choice/Best Book of 1990 selection)

“Characters come fully and movingly to life in Walcott's hands; black and white are treated with equal understanding and sympathy as they go their complicated ways . . . Wit and verbal play . . . enliven every page of this extraordinary poem . . . A constant source of surprise and delight from stanza to stanza, a music so subtle, so varied, so exquisitely right that it never once, in more than eight thousand lines, strikes a false note.” —Bernard Knox, The New York Review of Books

“One of the great poems of our time.” —John Lucas, New Statesman and Society

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