“The extraordinary thing about Miss Bishop is that she is both a public and a private poet, or perhaps her poetry by its very existence renders obsolete these two after all artificial distinctions (artificial insofar as poetry is concerned). The private self--the quirkiness, the rightness of vision, the special sights and events (a moose, a filling station) that have intrigued Miss Bishop to the point of poetry--melts imperceptibly into the larger utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds ‘grand,' but is as quietly convincing as everyday speech.” —John Ashbery

“Through masterful fusions of metaphor, Bishop creates a new world and resolves and dissolves its differences in the dazzling dialectic of her vision.” —Jane Shore, Ploughshares