“Kleinzahler's music is not like anyone else's. His ear seems at times to have been shipped in from one of the moons of Saturn, and he hears possibilities in our daily language to which the rest of us remain incorrigibly deaf.” —Troy Jollimore, The Washington Post

“Kleinzahler's work, dreamlike yet savvy, is among the most delightful flowerings of American poetry in our times.” —David Wheately, The Guardian (London)

“[August Kleinzahler] might be the best poet in America, I don't know--I can't trust my judgment after I finish one of his too infrequent collections, high on its cartoon-jazz fumes. It's been five years since the astonishment of Sleeping It Off in Rapid City, which won the National Book Critics Circle Award for poetry in 2008 (and should have won the National Book Award and the Pulitzer), and, well, he's back . . . If you're unfamiliar with his work . . . start somewhere, for God's sake--you're missing out on one hell of a racket.” —Michael Robbins, Chicago Tribune

“Kleinzahler's poetry, like his name, is verbally lush, veritably cornucopian and always promising more . . . If there's a unifying characteristic to this ‘teeming,' verbally high-octane poetry, it's its ability to lean toward sentimentality without indulging in it. Memory, in August Kleinzahler's poetry, becomes a resource for reveling in words and proper nouns that might otherwise seem lost - for revivifying the dead both within and without the poet. And the poetry itself delivers bouquet after bouquet of lovely phrases, ‘profusion(s) of violets, turtles, snakes and cranes,' so that even if readers can't quite remember the lost world Kleinzahler is recovering, they can enjoy his skill, which is considerable.” —Aaron Belz, San Francisco Chronicle

“Where the acoustics of his poems are concerned, Kleinzahler is the model of scrupulousness . . . Here in abundance is Frost's "sound of sense," musically understood, as a poetic lingua franca . . . Things often look bleak in Kleinzahler's poems; but no inhibition need attach to pointing out how well these witty and enjoyable poems manage to turn out.” —Aingeal Clare, Times Literary Supplement (UK)

“Kleinzahler's first since his new-and-selected Sleeping It Off in Rapid City (2008) finds the peripatetic, polymathic, and sometimes dyspeptic poet in terrific form . . . What stays, and what ought to impress any reader, are the range and the command that Kleinzahler has over so many flavors and kinds of American English.” —Publishers Weekly

“Kleinzahler's poems amuse, challenge, and occasionally tease . . . his dark lyrics and mininarratives open doors to surreal, vividly rendered destinations that seem as real as any found in a travel agent's brochure.” —Fred Muratori, Library Journal