“This is a very funny, excoriatingly honest story of being young, semi-idealistic, stupid and in love. If you have ever been any of these things, you'll devour it.” —Dave Eggers

“Revolution calls itself a memoir, but Deb Olin Unferth's tale of dropping out of college to join the Sandinista revolution is something altogether stranger and more dazzling.” —Time Out New York

“There is something in Unferth's combination of spare language and intelligent observation, her darts of emotional insight shooting through a highly personal screen, that is reminiscent of Joan Didion. That's a lot to live up to, but the two writers share a sense of beauty and loss and get something on the page that implies something else just out of reach.” —Los Angeles Times

“Unferth's application of her imagination to her subject…evokes what David Foster Wallace refers to as ‘the click,' a feeling one gets when reading work that's firing on all cylinders.” —Christopher Sorrentino, Bookforum

“Unferth surely can write...You find yourself re-reading descriptions…simply for the pleasure of the language.” —Chicago Tribune

“[O]ne of the best memoirs of the past several years. It's a difficult book to stop reading; Unferth is charming, charismatic, and breathtakingly smart… [Revolution is] more than enough to catapult Unferth into the ranks of America's great young writers.” —Bookslut

“The uniqueness of its love story sneaks up on you.” —The Week

“Unferth's depiction of the futility of Deb's odyssey is devastatingly frank…At the heart of Revolution is Unferth's slightly eccentric take on the venerable confusion of the political and the personal…how does one become a person? How is the person to be made?” —Madison Smartt Bell, The Nation

“The book is sly, devastating, and savagely funny, with style to spare.” —Boston Phoenix

“This clearheaded and funny memoir captures the grit and chaos of a tumultuous moment in Central American history, but it's really a coming-of-age story.” —Mother Jones

“Hers is a bildungsroman for the Believer set… impossible to dislike…The jokes are crisp and understated, the sentences clean and knapped.” —New York Observer

“Eighteen and in love, the possibilities seem endless in this endearing coming-of-age book, in which the author returns years later to Nicaragua to come to terms with that tumultuous period in both world history and her own life.” —New York Post

“Here's the beauty in this very funny, very sweet, magnificently written short memoir: being young and in love and on a noble quest...maybe I know better but it sounds just grand!” —Jewish Book World

“Unferth writes with a beautiful insouciance…[T]his is good and bad news -- love doesn't go away. It just doesn't go away -- it changes into something else. Amen.” —Newsday

“Unferth's surprising voice and precise rendering lend her memoir its particular power.” —Flavorpill New York

“The way you'll actually feel, reading [Revolution], is too big to name, too expansive and breathtakingly great to minimize.” —Corduroy Books

“Revolution is a ruefully funny memoir that surprises and delights at nearly every turn--through style, subject matter, and a chronological structure that hiccups with flashbacks and flash forwards.” —The Rumpus

“Unferth writes with a sly, understated appreciation for the absurd…A dryly humorous memoir of love, travel and wide-eyed idealism.” —Kirkus

“[Unferth] excels with a wry, self-deprecating voice that propels the tale forward.” —Publishers Weekly

“[Unferth] creates a memoir of unique lucidity, wit, and power.” —Booklist

“Deb Olin Unferth is one of the most ambitious and inspirational writers working today. Her memoir of idealistic, bewildered people-in-training befell me like a fever for which, I'm happy to report, there appears to be no cure. An encounter with Unferth's prose is to be permanently, wondrously afflicted by its genius.” —Heidi Julavits, author of The Uses of Enchantment

“Revolution is the best of many worlds: misconceived youth, sharp humor and sharper characters, and mostly, for me, the chance to witness a brand of paragraph-to-paragraph artistry that is much too rare.” —John Brandon, author of Citrus County